标签： 上海狼盟

There has never been a shortage of inspirational films in the history of movies. The protagonists of these films are often in a state of distress and frustration. With tenacious will and unyielding fighting spirit, they have gone through many hardships and finally made remarkable achievements in a certain field, adding a brilliant stroke to their lives. Moreover, these protagonists often complete their counterattacks through a certain sport. This is probably because sports can vividly interpret the spirit of perseverance and brave struggle through the externally visible action, and provide viewers with images with great ornamental and emotional impact. In addition, a large number of audiences will be present in the "success" of sports, which is easy to create a warm and unrestrained atmosphere and make the hero’s "coronation" moment shine. The film can also quickly push the audience’s emotions to a high point through the lens language of highlights. At the same time, the indomitable will and indomitable enterprise in sports can easily be transformed into a vigorous and promising attitude towards life, which warmly encourages countless audiences.

Specific to boxing, it presents the confrontation between individuals in close combat, and the competition is strong strength, changeable skills and flexible pace, which can easily mobilize the adrenaline of the audience, define success and failure in a simple and clear way, and produce certain spiritual encouragement and life enlightenment to the audience in emotional stimulation. There are many movies about boxing or free fighting, such as series, (1980), (1997), (2005), (2010), (2011), (2013) and (2016). Most of these films are inspirational films, in which the protagonist finishes a head-on attack on the unhappy life by boxing or free fighting. It is also a film related to "inspirational".

The characters are slightly thin, and the logic of action is more reasonable.

YOLO’s greatest challenge in narration is to explain why Le Ying, the protagonist, stayed at home for ten years and felt at ease, and was indifferent to the out-of-control figure management. Finally, she was willing to lose 100 pounds with extraordinary perseverance and took part in a boxing match.

Although, through interviews with TV stations, Le Ying implicitly explained the reason why she couldn’t stay at home, that is, she was injured too much when interacting with people and had social phobia, but the audience still wanted to know more, such as her major in college, what happened to her in the workplace, why she became a flattering personality and so on. After omitting this information, the film only presents the results, which will lead to the audience’s understanding of the characters staying on the surface, only seeing the characters’ obesity and laziness, but knowing nothing about the characters’ personality truth and inner state.

In order to make Le Yinghuan’s fighting spirit alive, the film arranged relevant incentive events, which made the transformation of the characters authentic and had certain emotional appeal.

Among the injuries that Le Ying suffered, trampling on dignity and self-worth again and again was the main reason that finally made her decide to change herself. When she was laughed at by her sister, disliked by Hao Kun and despised by Doudou, Le Ying felt that she was not only an unnecessary person in the world, but also constantly ignored, played with, cheated, used and laughed at. When Le Ying was desperate to commit suicide, she jumped from the fourth floor unscathed because of too much body fat, which made Le Ying collapse. She felt pain, but there was no visible wound, just like her heart was scarred, but she could not find the cause and treatment direction. Le Ying finally decided to participate in boxing competition, not only to win a victory in the arena, but also to fight for the dignity of life and the shining of gloomy life.

Although the film reveals too little about the characters’ pre-life history and personality truth, it lays a sufficient foundation for Le Ying’s "awakening". When the characters are constantly frustrated emotionally and their self-esteem is hit again and again, the determination to resist fate will inevitably accumulate in their hearts, thus completing a reasonable and natural psychological evolution. The film can also be in a full emotional state, so that the spiritual transformation of the characters has a very strong emotional appeal to the audience.

The mapping relationship in the pedigree of characters.

Le Ying is surrounded by moral debtors: her sister cheated on her in marriage, her ex-boyfriend was not single-minded about her feelings, her girlfriends were full of heart, the store manager was dirty, and peas were duplicitous. Compared with these people, Le Ying is lazy and lacks self-discipline, but her mind is simple. Just as Le Ying is whispering and weak most of the time, she lacks an aggressiveness towards people and appears frank and tolerant, like a heartless good guy. For example, Le Ying knew that her sister was calculating her own house, and her sister had been taunting herself without scruple. After they had a fight, Le Ying still angrily signed the house transfer agreement. When Hao Kun distanced himself from others, Le Ying was only secretly sad and didn’t quarrel angrily.

Moral contrast can not only complete characterization, but also create comedy effect. Hao Kun used to be honest and unwilling to trick customers into getting a card by despicable means. Tianfu, on the other hand, takes advantage of his appearance, is ambiguous with female students, and even regards boxing as a means of flirting. In the process of presenting these details, the film not only completed the perspective of social reality, but also effectively realized the localization transformation of the original film.

The mapping relationship between the characters in the film is also reflected in the different attitudes of the characters towards their dreams. Hao Kun once had a dream of boxing, thinking that "people have to fight once when they are alive", but when he received 30,000 yuan from his opponent, he immediately compromised and felt that survival was more realistic than dreams. In contrast, once the goal is clear, Le Ying shows a touching and firm persistence. There are two contrasting scenes in the film: at first, Le Ying, who was wandering around the street with nothing to do, felt a deep envy and inferiority when she saw Hao Kun sweating in the boxing gym; When Le Ying began to pursue her life goals, she devoted herself to practicing in the boxing gym. Outside, Hao Kun, who was down and out, passed by with a complicated expression. At this moment, we realize that what really makes people shine is not appearance, but a kind of energetic attitude towards life; What really makes people feel ashamed is never their body shape, but their negative and decadent attitude towards life.

In the last game, Le Ying’s strength was obviously lost to professional players, and she was constantly beaten. In this regard, my sister is extremely confused: "I am sick, I can’t win at all. Why do you keep playing?" My sister can’t understand that Le Ying is facing not only a game, but also an ultimate game of self. What she needs to overcome is not her opponent, but herself, her inferiority, negativity and depravity, and her indifference and inaction to life. At this time, Le Ying and her sister have completely different understandings of "failure" and "success".

The film shows a rich pedigree of characters. Some people are frivolous and careless about life, some people do whatever it takes for their desires, and some even choose to give up their dreams and principles of being a man for their lives. Against the background of these characters, Le Ying has persistence and struggle. She believes that even if the music of life is not beautiful enough, it must be written by herself, otherwise life will only be silent and empty. This is the core value position of the film.

Improper narrative rhythm and superficial strategy of theme

The film uses a lot of space to lay out Le Ying’s decadent life state and her life experiences of constant frustration. It was not until about 50 minutes that Le Ying entered the boxing gym. In other words, the film took 50 minutes to complete the "building", introducing the background, personality and living environment of the characters. In the view of the classic scriptwriting method, this kind of treatment is too lengthy, which leads to the plot rhythm dragging and the narrative rhythm is seriously out of control.

After Le Ying entered the boxing gym, the development of the plot actually stopped. Because Le Ying was generally satisfied with this kind of life, she had Hao Kun around her, and she practiced boxing rights to lose weight. It was not until about 90 minutes that Le Ying decided to play. At this time, there were only more than 30 minutes left before the end of the film. In a general film, it takes about 25 minutes to basically establish the behavioral motives of the characters, then unfold the plot around the motives and obstacles, build more and more intense drama conflicts, lead the plot to a climax, and finally usher in a beautiful ending.

YOLO’s narrative rhythm is improper, which leads to the core "confrontation" stage not showing how Le Ying struggled with her laziness and depression in the process of preparing for the competition, how she clashed with the people around her, and how she solved the expenses of renting a house and practicing boxing after she quit her job as a waiter in a barbecue shop. Of course, she also couldn’t see how much pressure she suffered in the process of losing 100 pounds, or even how she did. In this regard, the film had to show the details of Le Ying’s weight loss and boxing practice with MV-style clips and bloody music, and create a passionate atmosphere, supplemented by intensive picture bombing, which made the audience have no time to think, and was completely dragged by a perceptual emotion, thus ignoring the irrationality of plot arrangement.

Because the film failed to show the dramatic tension of the characters in overcoming obstacles in the "confrontation" stage, the film focused on the changes of the characters’ body shape before and after. In contrast, Love for a Hundred Dollars does not describe the miracle of an actor’s weight loss, but delicately shows the changes of boxing to the mental outlook and inner world of the characters, and excavates the infinite power contained in everyone. In YOLO, Le Ying didn’t really become a boxer when she resisted the harassment of the store manager. She just hit back a punch without any rules. If this detail can be handled better, it can profoundly affect the characterization and the attraction of the plot.

The film YOLO is wonderful, but it lacks the heavy flavor of life and the in-depth excavation of the characters’ psychology. It only shows the only boxing match of the characters on the visible level, rather than a complete life course of the characters. Although YOLO made Le Ying complete her epiphany and growth in life by the way of anti-climax, it is still somewhat "light". It is unwilling or unable to show a kind of grief of impermanence in the world, or the calmness and helplessness of reading all the vicissitudes of life, but it is repeatedly rendered on the level of blood and inspiration, and rarely touches the struggle of the characters’ hearts and the cry of the soul. This makes YOLO move and inspire the audience instantly, instead of pursuing more profound and lasting enlightenment and reflection. Even many viewers will regard the film as an inspirational film to lose weight. Perhaps, this is a kind of "consideration" reflected in artistic creation after the changes of the times, which limits the audience’s satisfaction and pleasure to a short period of watching movies, and limits the audience’s touch to superficial visual shock and emotional touch. (Author: Fudan University Art Education Center Professor Gong Jinping)

"Can she still control her own life when her life suddenly encounters waves?"

He Xu, one of the heroines, glanced around, and her eyes were somewhat blurred and mysterious, which immediately filled the suspense of Don’t provoke the white dove.

This original emotional suspense short play, produced by Mango TV and Damang Plan and produced by Wuyuan Culture, officially landed on Mango TV on December 31st. The play begins with the meeting of three strange women in an emotional support group, telling the story that everyone has their own difficulties that they are eager to talk about but have to hide. From the perspective of women, the whole drama focuses on the hot topics of women’s emotional demands, and on the basis of in-depth analysis of contemporary women’s emotional difficulties, it properly incorporates rich suspense elements, so that the audience can feel the tense and exciting story atmosphere in the intricate interweaving of lies and truth.

"Don’t provoke the white dove" provides a new idea for broadening the expression boundary of short plays from three levels. The drama creatively presents three typical contemporary urban women through the form of mutual aid meeting, and reshapes the female spirit; With a unique image style, she tells women’s secrets in suspense; With the exploration of high-quality products, we try to add a new model to the short play market.

In the innovative form of mutual aid association,

Present three typical contemporary urban women

Combining social hot topics, the whole drama extracts three typical figures of contemporary urban women, creatively constructs the inextricable connection of three "problem women" in the form of women’s emotional support association, and constantly reverses, which arouses the audience’s curiosity to explore the truth behind the heavy fog.

A woman who disdains love and is paranoid and sensitive. The daily life of the new media editor dove is either working while drinking coffee in the bookstore or drinking in the bar. Unspeakably hurt, she suffered from serious social obstacles, so that she often clashed with the opposite sex in bars. However, under the tough exterior, the dove is sensitive and fragile. The encounter between Yu Bookstore and Guo Tian has caused ripples in her quiet life. Guo Tian’s romance and tenderness quickly melted the frozen heart of the dove. In the drizzling rain, in the shimmering tent, Guo Tian’s sudden confession made the dove taste the sweetness of love at once. However, before she could promise Guo Tian’s pursuit, the man disappeared into her life like into thin air. How can she find her missing boyfriend and uncover the truth?

A woman who is loyal to love without a life plan. He Xu, who is preparing to study abroad, like most young people, "taking one step and counting one step" is her life plan. However, the unexpected discovery of her boyfriend Su Jin’s infidelity broke He Xu’s original beautiful imagination of love and made her lose control of her life. She dared not force Su Jin to tell the truth, but followed Su Jin’s cheating partner and even dressed herself according to her taste. Even so, He Xu still failed to save Su Jin’s heart. Will He Xu break out in silence, or will he keep going?

An elegant, intellectual and understanding woman. Li Li, a 43-year-old dance teacher, is cheerful and well-maintained. She seems to be only in her thirties. In the eyes of students and colleagues, she has always been a goddess. Little known is that in family life, she also faces the same dilemma as other middle-aged women. The daughter who went to college was unwilling to share anything with her, which made her very upset. Once after work, Li Li accidentally discovered that her daughter Shuang Lee was harassed by her male classmates. My daughter didn’t mention anything about it. What measures will she take if she is in a hurry?

Three women came to the emotional support meeting with their own confusion. They seemed to know each other, but they kept the vigilance of strangers. This made the audience wonder whether their meeting was a coincidence or an ulterior motive. Judging from the four episodes currently broadcast, the relationship between the three heroines with different personalities is mysterious and full of suspense, and their stories are confusing and exciting.

With a unique image style,

Tell women’s secrets in suspense

In addition to the refreshing female image, the image of Don’t Mess with the Dove is also quite bright. The tone, light, scenery and editing in the play are all aimed at enhancing the suspense of the story and setting off the inner feelings of the characters.

Although Wen Jing, the director of the play, is a new female directors in the film and television circle, she has been in the industry for more than ten years and has accumulated rich experience in film and television production in China and the United States. She has dabbled in film and television works, variety shows, MVs and advertisements, and is especially good at female subjects. The play is not limited by the aesthetics of its previous works, but tries a rich and changeable audio-visual language, which just creates a suspenseful atmosphere for the whole play.

The interior layout of the Emotional Support Association is mainly in cool colors such as gray, white, blue and black. Every woman who participates in a mutual aid meeting is stating all kinds of misfortunes and life puzzles she has encountered. The cool colors in the room create a depressing atmosphere, which vividly shows the true state of every woman’s heart. The lens shows the mood of the character through the contrast between light and dark. In the first episode, He Xu and Su Jingang met, and the light was bright when they shared food at the dinner table. When she found Su Jin cheating, lying in bed with her mobile phone in her head, the light was gloomy. This contrast between light and shade, on the one hand, shows that He Xu misses the good times when he just fell in love with Su Jin; On the other hand, it implies that He Xu, who found Su Jin cheating, is suffering.

"Don’t mess with the white dove" has several scenes where women sit together and reveal their feelings, but the dialogue scene is not easy to shoot. If you just use the front and back shots, the audience will feel bored. In order to make the dialogue look rich and interesting, the scenes of Don’t Mess with the Dove quickly switch between different scenes. For example, in the first episode, He Xu used various scenes such as big close-ups, close-ups, close-ups and panoramas when telling his own story. This practice not only corresponds to the ups and downs of He Xu’s heart, but also reflects the mood of other women at this time. The application of close-ups for many times brings out the true psychological state of He Xu by strengthening her emotion. When she finished telling a story, a woman next to her asked her who the person mentioned in the joke was, but she didn’t answer. Here the camera gives a close-up of He Xu’s side face, and the expression on her face is elusive, showing a tense suspense atmosphere.

The proper use of interludes also enriches the dialogue content of the series and increases the suspense. How to tell her own experiences, instead of explaining them in a sequential way, put these past plots into her dialogue with women in the fraternity. At the same time, He Xu tells the story of her boyfriend Su Jin’s infidelity and is cut into the scene where she chats with other women. This unsynchronized handling of audio and video adds a touch of psychological realism and uncertainty. In addition, some special shots also play a suggestive and symbolic role, bringing a sense of tension to the audience. For example, at the end of the first episode, He Xu smiled evilly, and the picture suddenly turned black, but the voice was a line of Su Jin: "He Xu, what are you doing?" This special shot triggered the audience’s urgent psychology of pursuing the drama.

Director Wen Jing was born in a regular class, and the professional training of Chinese and American film and television made her have a high aesthetic pursuit and have her own control over the level of the picture. As a result, the suspense created by the short play "has an inner flavor." If the follow-up story remains high-energy, the matching image language will follow, which may form a clear stream of short drama circles.

Exquisite exploration short play,

Trying to add a new model to the short play market.

Compared with online dramas and online movies, short plays will enter the first year in 2020. It is a new form of content, and most people who like it are young people of lower age. Therefore, to some extent, short plays are the inevitable product of the change of young audience’s life rhythm and consumption habits. Today, with the explosion of information and the explosive development of short videos, the audience has no patience to watch lengthy dramas. The length of 12 episodes of short plays has become a new incision for telling short, flat and fast stories. In fact, many big dramas in the drama market try to be universal, but the audience has different tastes and is prone to bad endings. The short play only needs to be penetrated in a subdivision type to serve a certain circle of users.

For the video platform, short plays can reflect its distinctive differentiated content. For example, the content of Youku’s short plays focuses on comedy topics, Tencent’s videos tend to be refined, bilibili likes funny brains, and Aauto Quicker loves urban costumes more … Each platform has its own emphasis. But for audiences with diverse needs, this makes them unable to be satisfied on a single platform. At this point, Mango TV, as one of the important players of the integrated video platform, can better satisfy the audience’s preferences with its diversified content. As an important development track of Mango TV, "Chinese video short play" also inherits the temperament of its diversified content.

For Mango TV, the layout sketch has become the new engine of the platform’s "traffic moat" and "new traffic growth pole". In 2019, based on the content layout, user needs and advertising development, the business department "Damang Plan Studio" has now been upgraded to the first-level strategic department of Mango TV. At present, the "Damang Project Studio" covers three parts of business: micro-short drama, light variety show and creator, and short drama occupies a large volume of the department. Mango TV has a wide demand for short drama types, including costume, city, suspense, emotion, light joy, pure sweet series and so on.

The five-element culture, which has been deeply cultivated in suspense category for many years, has found the new demand point of Mango TV in short plays. Different from many players who entered the drama chaos in the past, they preferred sweet pets and IP adaptation. Don’t provoke the white dove, which was launched by Wuyuan Culture this time, actively explored the aesthetic taste and cultural needs of young people, added a strong suspense atmosphere on the basis of delicate female emotions with small and beautiful original stories, and provided multiple guarantees for the quality of the short drama with hard-core audio-visual language, and also tried to add a new model for the short drama market.

Please send the submission to the email address:

zongyiweekly@163.com

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The 2024 Beijing Auto Show officially opened the public day today. I believe many friends have planned to go to the scene to enjoy the car. And friends who plan to change cars in the near future should pay attention. If you are not careful, you may miss the fixed subsidy of 10,000 yuan!

Recently, the Ministry of Commerce, the Ministry of Finance and other seven ministries and commissions jointly issued the Detailed Rules for the Implementation of Automobile Trade-in Subsidies (hereinafter referred to as the Detailed Rules), which clarified the subsidy policy for automobile trade-in funds.

The scope and standards of subsidies are defined in the Detailed Rules: from the date of issuance of the Detailed Rules to December 31, 2024, individual consumers who scrap fuel passenger cars with national emission standards of Class III and below or new energy passenger cars registered before April 30, 2018, and buy new passenger cars that meet the energy-saving requirements, can enjoy a one-time fixed subsidy. Among them, those who scrap the above two types of old passenger cars and buy qualified new energy passenger cars will be subsidized by 10 thousand yuan; A subsidy of 7,000 yuan will be given to scrapped passenger cars with national emission standards of Class III and below (gasoline passenger cars registered before June 30, 2011, diesel passenger cars registered before June 30, 2013 and passenger cars with other fuel types) and purchased passenger cars with a displacement of 2.0 liters and below.

The specific application process of subsidies is as follows: individual consumers who intend to apply for automobile trade-in subsidies should fill in the application materials by logging into the website of the national automobile circulation information management system or the "automobile trade-in" applet before January 10, 2025, and the relevant materials should be obtained from the date of issuance of the Detailed Rules to December 31, 2024.

At the same time, consumers and friends need to pay attention, and the detailed rules clarify the requirements for supervision and management: relevant local departments should do a good job in subsidizing the old-for-new vehicles according to their duties and strengthen supervision and management. All localities shall not require that scrapped cars be sold to designated enterprises, and shall not set up a list of subsidies or enterprises with regional and technical product orientation. All localities should set up a telephone hotline for car trade-in, respond to public demands in time, and accept social supervision. Friends who want to get subsidies should call the hotline for detailed consultation before replacement, and beware of people with ulterior motives taking the opportunity to cheat.

Just after the "Rules" were officially released, we learned from the automobile official that Hongqi Automobile actively responded to the "Rules" and became the brand that started the first shot of "trade-in" this year, showing its "eldest son" demeanor.

According to sources, on the night when the Rules were officially announced, Hongqi announced the latest policies overnight, covering the best-selling models such as,,, Hongqi HQ9, and so on. The maximum subsidy can reach 50,000 yuan, and the implementation period is from April 27th to June 30th.

Let’s take a look at the specific replacement/scrapping subsidy policies for each model.

Red Flag H5/ Red Flag HS5

Hongqi H5 positioning medium-sized car, the appearance continues the family-style design, and the overall shape is very simple. The length, width and height are 4988/1875/1470mm respectively, and the wheelbase is 2920 mm. In terms of power, 1.5T, 2.0T and 1.5T HEV versions are available.

Hongqi HS5 locates a medium-sized SUV, which strengthens the sense of muscle and movement as an SUV while maintaining the family-style design. The length, width and height are 4785/1905/1700mm respectively, and the wheelbase is 2870 mm. In terms of power, the whole system comes standard with a 2.0T engine, providing two-wheel drive and four-wheel drive models for consumers to choose from.

Replacement/scrapping subsidy policy: 10,000 yuan/set for non-Hongqi brand vehicles and 12,000 yuan/set for Hongqi brand vehicles.

Hongqi H6/ Hongqi HS3

As a B+-class luxury fashion car carried by Hongqi brand, Hongqi H6 is less serious and more fashionable and sporty than Hongqi H5 on the same platform, and it is a very individual model among Hongqi brands. The length, width and height are 4990/1880/1455mm respectively, and the wheelbase is 2920 mm. In terms of power, Hongqi H6 is equipped with a high-low power 2.0T engine, with a high-power version of 185kW, a peak torque of 380N·m, and an acceleration of 6.8 seconds per 100 kilometers.

Hongqi HS3 is the first compact SUV of Hongqi brand, focusing on the young consumer market. The overall modeling of Hongqi HS3 not only continues the family design, but also adds more designs that young people like, making the overall style more personalized. In terms of size, although the compact SUV is positioned, it is not small, with a length, width and height of 4655/1900/1668mm and a wheelbase of 2770mm respectively. In terms of power, Hongqi HS3 is equipped with 1.5T and 2.0T powertrains, matching with 7-speed dual clutch and 8-speed automatic manual transmission.

Replacement/scrapping subsidy policy: 8,000 yuan/set for non-Hongqi brand vehicles and 10,000 yuan/set for Hongqi brand vehicles.

Hongqi EH7

Hongqi EH7 is the first model launched after the independent operation of Hongqi New Energy Sub-brand, which is based on the new FMEs "Flag" super architecture. Hongqi EH7 is positioned as a medium-sized and large-sized pure electric car, adopting the brand’s latest design language, and its overall shape has great visual impact. In terms of body size, the length, width and height of the new car are 4980/1915/1490mm and the wheelbase is 3000mm respectively.

Red Flag EH7′ s interior dual screen and polygonal steering wheel create a strong scientific and technological atmosphere. In the configuration part, the new car is equipped with a 6-inch +15.5-inch curved double screen design, and also equipped with an AR HUD head-up display system. The car uses Snapdragon 8155 chip.

Replacement/scrapping subsidy policy: 10,000 yuan/set for non-Hongqi brand vehicles and 20,000 yuan/set for Hongqi brand vehicles.

Hongqi HQ9

At this year’s Beijing Auto Show, 2024 models were officially listed, and the price range was 358,800-538,800 yuan. Among them, the new PHEV model is equipped with a plug-in hybrid system consisting of a 2.0T engine and front and rear dual motors. 210kW, peak torque 440 n m. The official comprehensive fuel consumption per 100 kilometers is 2.4L, and the acceleration time per 100 kilometers is 8.3s.

It is basically consistent with the fuel version on sale in terms of modeling. The vehicle charging interface is located above the left rear tire, and the tail PHEV logo proves its identity as a new energy vehicle.

In terms of interior design, at first glance, the new car feels more stable and luxurious. The floating central control large screen will integrate many practical functions, and the three-piece style will be decorated with chrome trim strips, plus a large area of leather packaging and wooden decorative boards, thus creating a comfortable and luxurious interior atmosphere.

Replacement/scrapping subsidy policy: the subsidy for non-Hongqi brand vehicles in non-restricted areas is 10,000 yuan/set, the subsidy for non-Hongqi brand vehicles in restricted areas is 13,000 yuan/set, the subsidy for Hongqi brand vehicles is 50,000 yuan/set, and the subsidy for FAW passenger car brands is 30,000 yuan/set, and even some brand vehicles have replacement subsidies as high as 20,000-50,000 yuan.

Editor’s comment:

The opening year of China automobile market in 2024 was the news of successive price reductions by major brands, and now the Detailed Rules jointly issued by seven ministries and commissions further stimulated the market. However, as of the time of publication of this article, we have not received any news that other brands have entered a new round of subsidies, which shows that Hongqi Automobile has responded quickly to the policy. At the same time, the maximum subsidy of 50,000 yuan for all models can also be said to be rare in the industry. As the first luxury brand in its own brand, the market and consumers have a very high recognition of Hongqi, and this subsidy policy for Hongqi covers its best-selling models, which is an opportunity for consumers not to be missed. At the same time, we also look forward to the follow-up actions of other brands. After all, the promulgation of the Detailed Rules is good news for consumers and manufacturers.

CCTV News:At present, Zika virus is still spreading in parts of South America and Latin America, and there is no effective drug to inhibit the infection of this virus. Recently, the research team of Tianjin University published a paper in the international authoritative academic journal protein and Cell, saying that the mystery of Zika virus replication was uncovered for the first time, which will provide an important basis for developing anti-Zika virus drugs.

According to experts, the scientific community has not found the means to inhibit Zika virus so far, and the important reason is that it is impossible to understand the replication process and mechanism of this virus. Since February this year, the research team of Tianjin University has started a research project on Zika virus, and has achieved important research results recently.

According to Tian Hongliang, School of Life Sciences, Tianjin University:In the process of virus replication, almost all viruses need a protein called helicase. Our research team’s main work is to analyze the three-dimensional spatial structure of Zika virus helicase and the three-dimensional spatial structure of Zika virus helicase recognizing its genome.

Helicase protein

This protein, called helicase, plays an important role in the first step of Zika virus replication. Because the Zika virus genome exists in a double-stranded state, it is impossible to replicate the gene in this state, so it must be split into two, and the helicase is equivalent to a pair of scissors, which can cut the genome into two pieces and achieve replication, but this pair of scissors has never been exposed before, so the mechanism of virus replication is unknown. The research results of Tianjin University’s research team reveal the three-dimensional image of a single molecule of gyrase, and thus unlock the secret of how Zika virus replicates.

Janet, a professor at the School of Life Sciences, University of Michigan, USA, who has been working on Zika virus research, said that this is crucial to stop the spread of Zika virus from the root and develop drugs against Zika virus.

【 Hazards of Zika virus 】

In 2013 and 2015, during the outbreak of Seca in French Polynesia and Brazil, it was reported that Zika virus disease might cause neurological and autoimmune complications. In the outbreak of Zika in Brazil in 2015, many newborns with microcephaly were found (the ratio of head circumference of newborns to matched children of the same sex and gestational age was lower than the average by more than two standard deviations). From May 2015 to January 2016, it was reported that 4000 pregnant women infected with Zika virus gave birth to microcephaly, which was 20 times higher than that in previous years.

[The Rio Olympics has not been affected by Zika virus so far]

Brazilian Health Minister Castro met with the ambassadors of EU member states here on February 16th, and assured them on behalf of the government that the current outbreak of Zika disease would not affect the Rio Olympic Games this year.

Part of the text comes from: Xinhua News Agency