南京梧桐客栈

Special feature of 1905 film network "The film arrangement is too low". After the animated film was released, many netizens expressed such feelings.　

Abominable, the first original animated film of Oriental DreamWorks, was jointly created by Oriental DreamWorks and American DreamWorks Animation.

Under the upsurge of three major gift films sweeping the National Day archives, the topics and popularity of the films are slightly insufficient. As of October 5, the film’s five-day box office reached more than 70 million, which was not as good as expected.

Despite the poor box office, the word-of-mouth achievements of Cat’s Eye 9.4, Taobao Film 9.1 and Douban 7.4 are quite eye-catching, and the performance of overseas markets is in sharp contrast with that of China. After landing in North America on September 27th, the film won the first weekend box office title in North America. The freshness of rotten tomatoes is 80%, and the popcorn index is 96%. These data are enough to show the quality and level of this Chinese-foreign co-production animation.

Is Abominable the most underrated work in this year’s National Day archives? In addition to box office and word of mouth, the Chinese-foreign co-production mode it presents and its influence on the local animation film industry in China are actually the most important aspects to be discussed.

Chinese and foreign co-produced animated films are not popular?

　In 2016, "Kung Fu Panda 3" created a box office of 1 billion in mainland China, occupying the top spot in China animated film box office for three years, and it was not until this summer that it was won by "Nezha".

The emergence of Kung Fu Panda 3 has led to the rise of Chinese and foreign co-production animation, with a large number, but the box office and quality have been "sluggish". Among the top ten Chinese and foreign co-produced animated films at the box office, only three have exceeded 100 million.

Although Kung Fu Panda 3′ s billion-dollar scale far exceeds other rivals, its success largely depends on the accumulation of IP fans of the previous two series.

Looking at the evaluation, half of the works on the list are below the passing line on the Douban platform.

Therefore, if we compare these ten co-produced animated films horizontally, the achievements of Abominable are not bad now.

Before "Abominable", this year’s co-production animation was also released. The film was originally scheduled to be released last year and was postponed until July this year. Another co-production animation has also changed its schedule four times, and now it has been postponed to October 13th.

It can be inferred from the achievements of Future Machine City that the finished product of Ugly Doll, which was also co-produced by Alibaba Pictures, is not expected to be very satisfactory.

The douban scores of "Future Machine City" and "Ugly Doll" are also below 6.

　

What’s the problem?

　

China only invested capital and did not participate in the production; The Chinese team’s participation in content creation is very shallow; Inaccurate audience positioning; The story is routine and younger; Problems in the cooperation mechanism are the reasons why these co-produced animations have not been favored by the market and the audience.

　

By chasing light animation and Warner Bros. together, it is a more successful co-production animation in recent years.

The light-chasing animation, which has always focused on creating family fun, has been created from China fairy tales after successive encounters and failures of other works.

Warner Bros. put forward targeted opinions on stories, editing, personnel design and commercial selling points during the production process. For example, the role of "puppy" was added to strengthen the comedy elements, and it was especially suggested to design a wonderful bridge of Little Fox Fairy.

Little fox fairy stills

　

The success of "White Snake" benefits from the continuous improvement of Chinese creation in the co-production mechanism. The story is also different from many previous co-production animations. It is not the traditional "general mobilization" adventure family fun, but draws nutrition from China fairy tales and adapts it.

The story of Abominable takes place in present-day China.

　

"Abominable" still chooses the type of family fun, and puts the main story world in the present China, and all the contents should be original.

　

So, how did the animation produced by Fang Dongfang DreamWorks and American DreamWorks create a mutually acceptable China story? In the interview with the main creator, we not only got the answer, but also found that this co-production is closer and deeper than many previous co-produced animated films.

Is there a new atmosphere in the production mode of Abominable?

"Abominable" tells the story of Xiao Yi, a little girl from China, and her friends, A Jun and pengpeng, crossing the motherland for 3,000 kilometers and escorting the snowman "Da Mao" back to his hometown of Mount Everest to reunite with his family.

According to Zhou Peiling, producer and chief creative officer of Oriental DreamWorks, the preparation of the film began in 2012, and the strategic decision-making and specific creation were discussed and decided by both teams.

　

"The whole artistic creation team is basically in Shanghai, and the post-production is mainly in the United States," Zhou Peiling revealed. The only challenge is the time difference. "Today, people here finished and handed it over to people on the other side of the world, so we joked that someone was working on this film for 24 hours, which turned the disadvantage into an advantage."

　

At the same time, Zhou Peiling will also hold regular weekly meetings with American executives and behind-the-scenes personnel to exchange ideas and listen to them, and then complete the production step by step through repeated revisions.

Producer Zhou peiling

　

The film mainly expresses the theme of returning to the family. jill culton, the director and screenwriter, said frankly that "China culture emphasizes the importance of family more than American culture". Therefore, along with the main plot of the snowman going home, they also set up the auxiliary line of the relationship between Xiaoyi and his mother and grandmother from estrangement to bridging, trying to make more China audiences feel empathy and substitution.

Co-director jill culton and Todd Vildman

　

In addition to the balanced transmission of values, compared with many previous co-productions of animation, the localization of "Abominable" is indeed more steady and steady.

　

Although the traditional "adventure" narrative mode is adopted like many family animation, the film is integrated with the unique scenery of China, such as Qiandao Lake, Huangshan Mountain, rape field, Leshan Giant Buddha, etc. These magnificent mountains and rivers have not been reduced to simple background boards or postcards, but have become story scenes to promote the effective progress of the film.

"When I started writing the script, I had a map of China in front of me. The story originated in Shanghai and the final destination was in Himalaya. The distance between the two places was 3,000 kilometers, so I was looking for scenic spots in this distance." jill culton told us that due to the length of the film, I originally wanted to put three or four more scenic spots, including Rainbow Beach and Blue Waterfall.

In addition, she and her team also insisted on not letting go of world-famous China monuments such as the Great Wall, "because everyone knows the Great Wall, but not everyone knows Leshan Giant Buddha."

Leshan Giant Buddha is an important scene in Abominable.

　

In order to create a more authentic "China flavor", Oriental DreamWorks provided more input and support in details, including the street environment of Shanghai, the overall appearance of residential buildings, Chinese’s food culture, table manners and so on, from which the Hollywood production team also got a lot of inspiration.

　

As Carlton said, "In the previous version, everyone threw away metal cans on the road, but Oriental DreamWorks told us that there was no such rubbish, so we deleted all these metal cans."

Chinese consultant directorShuhuan

　

The screenwriter Shu Huan is the Chinese consultant director of the film. He joined the team when the film was about 70% completed. On the one hand, his job was to adjust the localization details.

He suggested adding billboards unique to China, such as "cram school for college entrance examination", and adding food landscapes with China characteristics, such as Shaanxi snacks and Shaxian snacks, "to make the whole story more like the present China".

In the role design, both teams have also made great efforts. Co-director Todd Vildman said that in order to make the character of Grandma more authentic, China has given many suggestions.

　

"Grandma is very nagging. Xiaoyi doesn’t want to listen. Will she close the door or keep it in front of her, or how much? How much is this? These are all to be discussed together." Producer Zhou Peiling also mentioned such creative details to us about the display of characters’ psychology and behavior.

Not only in the content production level, the film also launched a Mandarin version for China audiences, with Zifeng Zhang, Chen Feiyu, Cai Ming, Wan Qian, etc. as dubbing, and Shu Huan was also responsible for dubbing and directing. This dubbed version of Mandarin will also land in the North American cinema, which is the first time in the North American film market.

"Many expressions in the English version are American, but the audience in China will know at a glance that this is not Chinese’s way of speaking." Shu Huan revealed that in order to conform to Chinese’s communication style and expression habits, he helped to adjust many Chinese dialogues to make them more grounded. However, it is also a pity that the film did not specifically change the mouth shape of the characters for the Chinese version.

Four voice actors

　

It can be seen that from the upstream to the downstream, from the plot, the theme, the details of the scene, the character design and the dubbing release, Abominable tries to be close to the local reality of China and meet the needs of China audiences.

　

"China audiences know more and more about movies now," said Zhou Peiling. The reason why many Chinese-foreign animated films have failed is that the market positioning is unclear and the stories are mechanically copied. "Maybe it was only aimed at overseas markets at first, and suddenly it was necessary to join the characters and plots related to China in the China market, which is very unnatural and unsmooth."

The key to the success of Chinese and foreign co-productions lies in finding a universal story with cultural value, highlighting the elements of China, bringing forth the new, and achieving a win-win situation in an effective cooperation mechanism.

　

Both director Carlton and director Shu Huan emphasized that Abominable is not a Hollywood story, but a story suitable for the whole world, and that the China market is not the whole story. The film should not only show the beauty of China culture, but also start from China, aim at the global market and finally go to the world.

What does co-production bring to China native animation?

Looking to the future, there are a large number of Chinese and foreign co-produced animated films on the road. Oriental DreamWorks and American DreamWorks Animation will jointly launch the "Oriental Dream Trilogy": "Abominable" is the first one; The second "Running to the Moon" will be completed next summer and is scheduled to be released in autumn. The third part is the Monkey King, which was developed by Stephen Chow, and it is also in the preparatory stage.

　

In addition, the Legend of the Erect Elephant (China, New Zealand), Animal Secret Service (China, France) and Dragon Keeper (China, Spain) will also appear one after another.

Zhou Peiling introduces the Chinese-American co-production animation "Running to the Moon"

"Use our script story, Hollywood production management experience and excellent animation technicians from all over the world". In Shu Huan’s view, such a global production system can be the main creative direction of China animated films in the future. "Let’s work together. After coming out, 80% is not good, 10% is good, but 10% is explosive, so every little makes a mickle."

　

With the increasing number of co-produced animated films, we have reason to believe that the mode of co-production will be deepened, the quality of animation will be more mature, and the continuous accumulation of co-production experience will also benefit the creation and development of local animation in China.

Chinese and foreign co-production animation to be released in the future

Nezha, White Snake: The Origin, etc. are all born out of China’s fairy tale system. At present, adventure family fun is more in line with the mainstream of world animation films, but the quality of this type of animation independently produced by China still needs to be improved.

　

The appearance of "Abominable" is not only a co-production animation in the future, but also provides corresponding reference for the creation of domestic animated family movies.

Zhou Peiling said that the benefits of co-production can help local animation filmmakers in China learn foreign production methods, story content and animation technology, and also help China’s animation industry gradually realize industrialization and scale, and further expand the international market.

　

Looking forward to the future, China native animation can become the earliest and fastest film genre among all films in China, as predicted by Shu Huan.

Jing jiao Xin [2022] No.5

District Education Committees, Yanshan Education Committee, Social Affairs Bureau of Economic Development Zone, network offices of district committees, municipal universities, directly affiliated units, mobile application distribution platforms and educational mobile Internet application providers:

　　In order to conscientiously implement the relevant requirements of reducing the workload of students in compulsory education and the burden of off-campus training (hereinafter referred to as "double reduction") and promote the orderly and healthy development of educational mobile Internet applications (educational APP, hereinafter referred to as "educational mobile applications"), on the basis of the Notice of Beijing Municipal Education Commission and other eight departments on Forwarding the Opinions of the Ministry of Education and other eight departments on Guiding and Regulating the Orderly and Healthy Development of Educational Mobile Internet Applications, Further improve the working mechanism of Beijing’s educational mobile application audit and daily management, and promote the institutionalization and standardization of educational mobile application governance. After research, relevant matters are hereby notified as follows.

　　I. General requirements

　　In order to implement the Opinions on Further Reducing the Students’ Homework Burden and Off-campus Training Burden in Compulsory Education, the Regulations on the Management of Mobile Internet Application Information Services, the Notice of the General Office of the Ministry of Education and other six departments on changing the existing online discipline training institutions from filing to examination and approval, the Opinions of the Ministry of Education and other eight departments on guiding and standardizing the orderly and healthy development of mobile Internet applications in education, and the General Office of the Ministry of Education on promoting the management of educational mobile Internet applications Document requirements such as the Notice of Linking up with the "Double Reduction" Policy, further standardize the management of educational mobile applications, strengthen the post-event supervision of educational mobile applications in accordance with the Administrative Measures for the Filing of Educational Mobile Internet Applications, improve the service quality and guarantee level of educational mobile applications, and create a healthy, orderly and safe cyberspace and learning environment for teachers and students.

　　Second, the scope of filing

　　(A) the definition of educational mobile applications

　　According to the requirements of the Notice of the General Office of the Ministry of Education on Printing and Distributing the Administrative Measures for Filing Educational Mobile Internet Applications, the scope of filing educational mobile applications is: "Internet mobile applications with faculty, students and parents as the main users and education and learning as the main application scenarios, serving school education, teaching and management, students’ study and life, and home-school interaction". General-purpose tool-based mobile applications that are not developed for the education system and whose main users are not for faculty and students, and that are not for the application of the education system are not included in the filing scope.

　　(B) the types of educational mobile applications

　　In order to implement the "double reduction" work requirements, educational mobile applications are divided into two types: discipline training (primary and secondary schools) and non-discipline training (non-primary and secondary schools).

　　1. Discipline training. According to the notice of the General Office of the Ministry of Education on Further Defining the Scope of Off-campus Training in Compulsory Education (Letter No.3 from the Office of Education Supervision [2021]), the mobile application of education contains disciplines such as morality and rule of law, Chinese, history, geography, mathematics, foreign languages (English, Japanese, Russian), physics, chemistry and biology. The education mobile application that provides the above-mentioned discipline training services for compulsory education and senior high school students through the education mobile application is collectively referred to as "discipline training education mobile application for primary and secondary schools" (referred to as "discipline training").

　　2. Non-disciplinary training. Mobile education applications do not contain the training contents of the above disciplines, but mainly provide sports (or sports and health), art (or music and fine arts), comprehensive practical activities (including information technology education, labor and technical education), education and teaching management, home-school communication and other contents for primary and secondary school students, and provide educational services for non-primary and secondary school students. They are collectively referred to as "mobile education applications for non-primary and secondary school discipline training" (referred to as "non-discipline training").

　　(three) providers and users for the record

　　Providers who belong to the above educational mobile applications shall, in accordance with the principle of "everything should be prepared", timely record the providers on the National Education Mobile Internet Application Record Management Platform (https://app.eduyun.cn/) and implement relevant requirements; As users of educational mobile applications, municipal and district education administrative departments and their subordinate units and schools at all levels should establish a selection system for educational mobile applications, select educational mobile applications that have been filed by providers, and record users in time. Education administrative departments and schools are not allowed to choose unregistered educational mobile applications, and students and parents are not allowed to charge any fees for unified selection.

　　Third, the filing conditions

　　Providers of educational mobile applications and their products should strictly abide by national laws and regulations, adhere to the party’s educational policy, implement the fundamental requirements of Lide Shuren, conform to the policy of "double reduction" and reflect the orientation of quality education. The content provided must not contain negative information, bad information, game links and advertisements. Establish a data guarantee mechanism covering the collection, storage, transmission and use of personal information. The collection and use of minor information shall obtain the consent and authorization of the guardian, and personal information shall not be disclosed, sold or provided to others, so as to earnestly fulfill the legal responsibility of protecting personal information and ensure the information safety of students and parents.

　　(1) According to the requirements of the central "double reduction" document, those who engage in online discipline training in primary and secondary schools need to obtain online discipline training licenses for primary and secondary schools. The provider of mobile application for discipline training education must be a non-profit legal person who has obtained the school license of the provincial education administrative department, registered by the civil affairs department and established according to law, and engaged in discipline training in the online compulsory education stage.

　　(2) The educational mobile application shall not provide a platform (or function) for unauthorized institutions (or individuals) to carry out discipline training.

　　(3) The educational mobile application shall not provide and spread the functions such as "taking photos and searching questions" which can slow down the thinking ability of primary and secondary school students, affect students’ independent thinking and violate the laws of education and teaching.

　　(4) The education mobile application provider submits the filing application through the national education mobile Internet application filing management platform as required, and the Municipal Education Commission shall review it in accordance with the Measures for the Administration of Education Mobile Internet Application Filing of the Ministry of Education and report it to the Ministry of Education for review and filing.

　　(five) no longer accept pre-school online training and education mobile application for the record, has been filed to be revoked.

　　(six) education mobile application providers should establish and improve the information content audit management mechanism, establish and improve account management, emergency disposal and other management measures, equipped with professionals to adapt to the scale of services, to provide business services and technical support; Formulate and publicize management rules and platform conventions, and sign service agreements with registered users; Consciously accept social supervision, set up eye-catching and convenient consultation and complaint entrances, improve the mechanisms of acceptance, disposal and feedback, and handle user demands in a timely manner.

　　Fourth, strengthen collaborative supervision

　　(1) The Municipal Education Commission takes the lead in reviewing the filing of educational mobile applications, is responsible for overall coordination, guiding and supervising the school to implement the main responsibility, is responsible for reviewing the content of educational mobile applications for filing, and accepts relevant social complaints and reports (see the "Notice for Complaints" on the filing management platform of educational mobile Internet applications for specific complaints and reports). For those who violate laws, regulations and policies, they will jointly carry out joint governance with relevant departments.

　　(2) The Municipal Communications Administration is responsible for the filing and review of the Internet information service (ICP) for educational mobile applications, taking the license of the online off-campus training institution of the education department as the precondition for the ICP filing of the mobile application providers of discipline training education, and cooperating with the education administrative department to jointly supervise the mobile application of discipline training education in advance; For illegal education mobile applications confirmed by relevant departments, they shall be ordered to make corrections within a time limit; Those who refuse to make corrections shall be ordered to close down and do a good job of supervision afterwards.

　　(3) The Information Office of the Municipal Party Committee is responsible for urging service providers of distribution platforms such as local application stores to strengthen the verification of educational mobile applications, keep abreast of the updates of educational mobile applications, and take corresponding measures in time if violations are found.

　　V. Publish the black-and-white list

　　The Municipal Education Commission established a publicity column on the official website, dynamically published the black-and-white list of educational mobile applications, promptly publicized the educational mobile applications and their providers that have been audited and filed, rectified within a time limit for violations of laws and regulations, blacklisted those that failed to rectify or refused to rectify within the time limit, and jointly investigated and dealt with by the Municipal Party Committee Information Office and the Municipal Administration Bureau.

Beijing Municipal Commission of Education　　　　

Office of Network Security and Informatization Committee of Beijing Municipal Committee of the Communist Party of China　　　　

Beijing Communications Administration Bureau　　　　

April 27, 2022　　

Model picture Basic parameter Changan Auchan Cosai 2018 1.5T Auto Smart 7 Block Changan Auchan Cosai 2018 1.5T automatic 7-seat Changan Auchan Cosai 2018 1.5T automatic sense 7 seats Changan Auchan Cosai 2018 1.5T automatic wonderful 6-seat Manufacturer’s guide price 145,800 109,800 119,800 132,800 Dealer quotation manufacturer Changan automobile Changan automobile Changan automobile Changan automobile grade Medium SUV Medium SUV Medium SUV Medium SUV Energy type petrol petrol petrol petrol Environmental protection standard Guo v Guo v Guo v Guo v Time to market 2018.09 2018.09 2018.09 2018.09 Maximum power (kW) 131 131 131 131 Maximum torque (n m) 265 265 265 265 engine 1.5T 178 HP L4 1.5T 178 HP L4 1.5T 178 HP L4 1.5T 178 HP L4 gearbox 6-speed manual integration 6-speed manual integration 6-speed manual integration 6-speed manual integration Length * width * height (mm) 4830*1868*1775 4830*1868*1775 4830*1868*1775 4830*1868*1775 Body structure 5-door 7-seat SUV 5-door 7-seat SUV 5-door 7-seat SUV 5-door 6-seat SUV Maximum speed (km/h) – – – – Official 0-100km/h acceleration (s) – – – – Measured 0-100km/h acceleration (s) 12.37 – – – Measured braking at 100-0km/h (m) 42.94 – – – NEDC comprehensive fuel consumption (L/100km) 7.2 7.2 7.2 7.2 Measured fuel consumption (L/100km) 11.2 – – – Vehicle warranty Three years or 100 thousand kilometers Three years or 100 thousand kilometers Three years or 100 thousand kilometers Three years or 100 thousand kilometers bodywork Changan Auchan Cosai 2018 1.5T Auto Smart 7 Block Changan Auchan Cosai 2018 1.5T automatic 7-seat Changan Auchan Cosai 2018 1.5T automatic sense 7 seats Changan Auchan Cosai 2018 1.5T automatic wonderful 6-seat Length (mm) 4830 4830 4830 4830 Width (mm) 1868 1868 1868 1868 Height (mm) 1775 1775 1775 1775 Wheelbase (mm) 2800 2800 2800 2800 Front track (mm) – – – – Rear wheel track (mm) – – – – Body structure SUV SUV SUV SUV Number of vehicles (units) five five five five Number of seats (units) seven seven seven six Tank volume (l) – – – – Trunk volume (l) – – – – Curb quality (kg) 1745 1745 1745 1745 engine Changan Auchan Cosai 2018 1.5T Auto Smart 7 Block Changan Auchan Cosai 2018 1.5T automatic 7-seat Changan Auchan Cosai 2018 1.5T automatic sense 7 seats Changan Auchan Cosai 2018 1.5T automatic wonderful 6-seat Engine model JL476ZQCF JL476ZQCF JL476ZQCF JL476ZQCF Displacement (mL) 1499 1499 1499 1499 Displacement (l) 1.5 1.5 1.5 1.5 Air intake form turbocharge turbocharge turbocharge turbocharge Cylinder arrangement form L L L L Number of cylinders (each) four four four four Number of valves per cylinder (units) four four four four admission gear DOHC DOHC DOHC DOHC Maximum horsepower (Ps) 178 178 178 178 Maximum power (kW) 131 131 131 131 Maximum power speed (rpm) – – – – Maximum torque (n m) 265 265 265 265 Maximum torque speed (rpm) – – – – Fuel form petrol petrol petrol petrol Fuel label No.92 No.92 No.92 No.92 Oil supply mode Direct injection Direct injection Direct injection Direct injection Cylinder head material aluminium alloy aluminium alloy aluminium alloy aluminium alloy Cylinder block material aluminium alloy aluminium alloy aluminium alloy aluminium alloy Environmental protection standard Guo v Guo v Guo v Guo v gearbox Changan Auchan Cosai 2018 1.5T Auto Smart 7 Block Changan Auchan Cosai 2018 1.5T automatic 7-seat Changan Auchan Cosai 2018 1.5T automatic sense 7 seats Changan Auchan Cosai 2018 1.5T automatic wonderful 6-seat Number of gears six six six six Gearbox type AutomATic manual transmission (at) AutomATic manual transmission (at) AutomATic manual transmission (at) AutomATic manual transmission (at) abbreviation 6-speed manual integration 6-speed manual integration 6-speed manual integration 6-speed manual integration Chassis steering Changan Auchan Cosai 2018 1.5T Auto Smart 7 Block Changan Auchan Cosai 2018 1.5T automatic 7-seat Changan Auchan Cosai 2018 1.5T automatic sense 7 seats Changan Auchan Cosai 2018 1.5T automatic wonderful 6-seat type of drive Precursor Precursor Precursor Precursor Front suspension type mcphersonindependent suspension mcphersonindependent suspension mcphersonindependent suspension mcphersonindependent suspension Rear suspension type Multi-link independent suspension Multi-link independent suspension Multi-link independent suspension Multi-link independent suspension Type of assistance Electric booster Electric booster Electric booster Electric booster Car body structure Bearing type Bearing type Bearing type Bearing type Wheel braking Changan Auchan Cosai 2018 1.5T Auto Smart 7 Block Changan Auchan Cosai 2018 1.5T automatic 7-seat Changan Auchan Cosai 2018 1.5T automatic sense 7 seats Changan Auchan Cosai 2018 1.5T automatic wonderful 6-seat Front brake type Ventilated disc Ventilated disc Ventilated disc Ventilated disc Rear brake type disc-type disc-type disc-type disc-type Parking brake type electrical parking brake electrical parking brake electrical parking brake electrical parking brake Former tyre size 225/60 R18 225/65 R17 225/65 R17 225/60 R18 After tyre size. 225/60 R18 225/65 R17 225/65 R17 225/60 R18 Spare tire specification Non-Full-Size full-scale full-scale Non-Full-Size

To say that the hottest car at the Chengdu Auto Show, it is BYD Xia. At the node of the arrival of the MPV wave, carrying the fifth-generation DM technology and BYD’s word-of-mouth, the first MPV of Dynasty Network is definitely the top stream in the top stream. But as a simple debut, the IPO time is expected to be in the second half of the fourth quarter of the MPV, and users with rigid demand may not be able to wait that long. If you want to buy an MPV now, who can replace it?

By the way, BYD Xia said it is 300,000 level MPV. Then we will compare it with this price as a benchmark.

The reason why these two cars are placed first is because they are the closest in size to the summer.

Summer: 5145mm x 1970mm x 1805mm, wheelbase 3045mm.

Saina: 5165mm x 1995mm x 1765mm, wheelbase 3060mm.

The size difference between the two cars is less than 10cm, and the space performance should be very similar. Toyota’s MPV is very interesting to drive, with a sense of dexterity that other models in the same class do not have. I think in addition to the old car companies’ grasp of the chassis foundation, the motor in the 2.5L hybrid system also plays a key role. 270N · m torque is not big, but it is more than enough to maintain a start. The chassis performs well in MPV, whether it is pitch or roll suppression.

But the drawbacks are equally obvious: although the new model is equipped with double-layer soundproof glass, the high-speed noise control is only medium, the third row has no child seat interface, and lacks intelligent functions such as automatic parking. Overall, this is a space-qualified MPV with interesting driving.

This should be the representative model of Japanese MPVs in everyone’s subconscious, especially the Odyssey, which can be said to be the existence of "provincial" MPVs in Guangdong Province, and the streets are full of Odysseys of various eras. In fact, everyone should be very clear about this car’s performance.

Honda’s handling, space, power performance and fuel consumption (hybrid version) are obvious to all, and the 2998 version has the highest discount 50,000, the cost performance is already very high. So if the budget is not particularly high, and do not want to buy domestic brands, then the current Odyssey is still worth buying.

The high vertical redundancy of the MPV does not cause the embarrassment of head space after adding a large battery. There are many more opportunities to wait in the car than other models. In addition, the MPV is the most suitable model for plug-in hybrids when you almost go out for a long time. The Trumpchi E9 is equipped with a large 25.57-degree battery + 2.0TM hybrid engine + 2-speed DHT gearbox, which is the dessert of the MPV.

As one of the largest cars in 300,000 level, under the blessing of hardware size, E9 is to have space and texture, power and texture, fuel consumption and texture, comfort and texture, configuration and texture. As an old MPV manufacturer in China’s own brand, Trumpchi E9 is the top MPV of GAC. Now the whole series of discounts 30,000 big, 300,000 you can even land the championship version, it is really fragrant.

Talking about MPV in China without mentioning GL8 is like opening a martial arts hall in Tianjin without visiting the wharf. You may also find that I have written the name of the car for other models, but GL8 has written the configuration name, because the price span of GL8 is too large. From the lowest 200,000 to the top 4-seat version of 800,000, as long as you want to buy MPV, GL8 always has the one that suits you, which is also the secret of GL8’s longevity.

　　Recently, the National Development and Reform Commission and the National Energy Administration issued the "Implementation Opinions on Accelerating the Charging Infrastructure Building to Better Support New Energy Vehicles to the Countryside and Rural Revitalization", encouraging new energy vehicle companies to support the purchase and use of new energy vehicles in rural areas. As a national enterprise, Wuling took the lead in responding to the call of the state and announced that the Wuling Hongguang MINIEV family has dropped by 13,000 yuan to provide consumers with ultra-low threshold and lean quality new energy products and services.

　　Driven by the policy of new energy going to the countryside, Wuling New Energy leads green travel

　　In 2020, Wuling faced the development situation of the new energy industry, actively responded to the national call, based on the needs of the people, launched the "people’s scooter" Hongguang MINIEV, innovatively opened up a new track for small new energy vehicles, and the Hongguang MINIEV family series model matrix was continuously improved and enriched, gaining the favor and recognition of more than one million users.

　　In order to better meet the needs of the masses for travel and promote consumption in the rural new energy market, Wuling has brought the excellent quality Wuling Hongguang MINIEV family models to consumers at a more favorable price. From now on, the Wuling Hongguang MINIEV family has dropped by 13,000 yuan to the highest level, and new and old users can enjoy discounts when purchasing. Wuling supports new energy to the countryside with practical actions.

　　Product first, accurately improve the travel quality of urban and rural residents

　　After market tempering and verification, small new energy vehicles will become an important force to promote the promotion and application of new energy vehicles in rural areas. Wuling is deeply cultivating the small new energy market and continues to provide rich choices for rural residents to purchase new energy vehicles with a diversified product matrix. The scooter pioneer Hongguang MINIEV is easy to drive, easy to stop, and easy to save money. With its outstanding convenience, extremely low cost of use and reliable safety, it can effectively solve people’s short-distance travel pain points; Wuling New Energy’s first global car Air ev is Wuling’s strength under global quality and standards. With 300km high fidelity battery life, rich technological configuration and light and quality global quality, it meets people’s green and light travel needs.

　　Under the surging tide of new energy, standing on the industrial highland, Wuling starts from the needs of people, uses solid quality new energy products and real people-friendly prices to benefit thousands of households, helps new energy vehicles go to the countryside, and helps the high-quality economic development of the new energy industry. (SAIC-GM Wuling, photo provided)

Director JASON ZHANG accepted an exclusive interview with [Movie Network].

Director JASON ZHANG.

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"Car shock" is a fashion culture. JASON ZHANG explodes and Li Xiaoran is very strong.

　　Movie network news (Photo/Shanghai Film Festival Reporting Group) From the beginning, most of JASON ZHANG’s films chose the theme of urban love. In an exclusive interview with [Movie Network], he admitted that he really prefers to tell stories from the emotional point of view. The film "Driverless" involves many sensitive issues such as "car shock", one-night stand, love triangle and so on. "‘ Che Zhen ’ It is everywhere in life, and I think it is already part of the car culture. " As a director, JASON ZHANG is very satisfied with the performances of the leading actors in the film, especially Li Xiaoran, who has successfully created a role that seems to be a good wife and a good mother but has an unspeakable past. Recently, Li Xiaoran’s boyfriend Yan Po was chopped by the black forces. According to JASON ZHANG, Li Xiaoran, who has a strong personality, is optimistic and calm in the face of all this.

Talking about the film: "Car shock" is an extramarital affair in automobile culture, which is very common.

　　Many plots in JASON ZHANG’s films are based on real events in life, and emotional themes such as marriage are the best entry point for him to reflect real life. "The theme that reflects trivial things in life is not attractive to me. I prefer to go deep into people’s emotions or human nature." In "Unmanned Driving", JASON ZHANG used a variety of phenomena to express people’s emotional state in reality, such as "car shock", one-night stand, multi-angle love and so on. Although these contents are still abnormal in some people’s eyes, JASON ZHANG’s view is quite different.

　　"In the past, I may think that love triangle and extramarital affairs are very important things, but now I think these are very common things, even five-corner love, and many people’s emotions are intertwined." JASON ZHANG also admitted that great changes have taken place in today’s concept of love and morality, but people are still pursuing pure love in their bones, just like Huang Xuan and Wang Luodan in the play, one represents a young man who is constantly pursuing material things, and the other is a simple Sargam. In order to better show the theme, JASON ZHANG specially set up a scene of "car shock" for them. "In fact, this thing is everywhere in life, and I think it is already a car culture. JASON ZHANG also revealed that a scene in which two people "play car shock" in a funny way while watching a movie at the drive-in cinema has been deleted because of the length of the film.

Comment on Actor: Wang Luodan is very simple. Li Xiaoran faces everything with a smile.

　　In Driverless, Gao Yuanyuan and Liu Ye staged a "one-night stand", Wang Luodan abandoned his "chatty" image and played Sargam. Li Xiaoran’s role seems to be a good wife and mother but has an unspeakable past, and every actor has a great change. "Wang Luodan still represents a very simple person, and those pure things in her are quite attractive to me. In fact, every actor in the film is different from the past.

　　JASON ZHANG was full of praise for Li Xiaoran’s performance in the film, saying that his performance was the most successful. Recently, her boyfriend Yan Po was chopped by the black forces. JASON ZHANG revealed that Li Xiaoran was very rational in the face of the accident. "She is a very strong person. When we sat together and chatted, she told me the situation calmly, including some details. I think these are related to her strong personality. She is still optimistic and can face it with a smile."
　

Director JASON ZHANG.

Director JASON ZHANG.

On genre: there is no living space for literary films, and many films are not suitable for 3D technology.

　　The topic of "Car Shock" was first chosen in the promotion of "Unmanned Driving", and then the "bed photos" of Liu Ye and Gao Yuanyuan were exposed. Sensitive topics such as one-night stand often appeared in the promotion of the film. JASON ZHANG, who used to shoot literary films, admitted that he did not reject the commercial operation. "In fact, it was a helpless move. Many literary films had no room for survival in the China film market, even those small films that did not intend to win much.

　　In addition to imitating the blockbuster mode regardless of the size of the film, the use of a large number of 3D technologies has become a trend. However, JASON ZHANG bluntly said that many films are not suitable for co-production into 3D versions. "3D is only a technical means. Whether the film is adopted or not depends on the type. It is more appropriate for action movies or cartoons to pursue visual effects, but it is completely unnecessary for movies with realistic themes." This type of film is what Zhang Yang is good at. He revealed that his next film is already in the process of planning, and it is still an urban theme.

Japanese version of Three-body

　　On July 4th this year, the Japanese version of Liu Cixin’s science fiction novel "Three-body" was sold out on the first day of its listing in Japan. In just one week, it was printed 10 times, with a printing quantity of 85,000 copies.

　　The success of Liu Cixin’s novels in Japan is not a case. In recent years, the number of Japanese writers and works with world influence is increasing. Science fiction, spy novels, online novels and other types of literature are increasingly influential among foreign readers; In addition to the English-speaking world in Europe and America, the acceptance of China literature by Asian and Eastern European countries is also gratifying. With the more frequent and in-depth literary exchanges between China and foreign countries, it is very important for China literature to better "go global" by understanding the spread and acceptance of China literature overseas.

　　Genre novels are remarkable.

　　In March of this year, China Literature Overseas Development Report (2018) was released, which investigated the overseas spread of China literature in recent years. Yao Jianbin, the editor-in-chief of the Report and a professor at Beijing Normal University, said: "In addition to continuing to focus on traditional pure literary works, many countries have extended their perception to China’s contemporary martial arts novels, mystery novel, mystery novels, tomb-robbing novels and various popular online novels." The international influence of genre novels is constantly improving, and new literary categories such as science fiction, network literature and spy war novels are becoming the windows for overseas readers to understand China literature.

　　"Science fiction literature has become a new business card for China literature to spread overseas." Yao Jianbin said. Science fiction literature not only went out through translation channels, but also realized "going in" to some extent. Through the international awards, foreign library collections, book sales, book reviews and paper research, it can be seen that the overseas dissemination and recognition of China’s science fiction literature, represented by Three-body, are gradually improving.

　　In 2016, The Invisible Planet: Selected Works of Contemporary Science Fiction in China, published by Thor in the United States and reprinted by Zeus in the United Kingdom, and The Wandering Earth, reprinted by Zeus, included the works of Liu Cixin, Chen Qiufan, Cheng Jingbo, Xia Jian and others. In February 2016, Clark World Yearbook: 8 included Cheng Jingbo’s Tomb of Fireflies and Xia Jian’s Old Stories of the Spring Festival in 2044. In July 2016, Best Science Fiction and Fantasy Fiction of the Year: 2016 included Bao Shu’s works. Foreign publishing houses, magazines and literary websites have paid continuous attention to China’s sci-fi works.

　　Online literature is also very popular overseas. China online literature writers have many Korean bosom friends. From 2015 to 2016, with the popularity of China’s online novels such as nirvana in fire, Hua Qiangu, Song in the Cloud, That Starry Sky, Na Pianhai, etc. in Korea’s Asian Economy, an article entitled "330 million people were deeply fascinated, China’s online novels caused a market explosion" pointed out that "China’s online novels have now extended to the whole world and become a window for foreigners to understand China culture and Chinese." Another article in the newspaper, China’s online literature has become the mainstream of the world, highly praised China’s online literature, saying that "China’s online literature is being exported overseas, and there are fanatical fan groups in Russia, the United States, Canada, Britain, the Philippines, Indonesia and Vietnam".

　　Sun Heyun, an associate professor at the School of Foreign Languages and Culture of China Communication University, found that: "Korean readers’ feedback on China’s online literature is very positive, and young readers have discovered a new type of China literature that can be docked without burden." By observing the members’ messages on YES24 website in South Korea, Sun Heyun found that novels such as treading on thin ice, nirvana in fire and Hua Qiangu fascinated Korean readers.

　　The success of Mai Jia’s spy war novels abroad once set off a "wheat whirlwind" overseas. "Compared with pure literary works, foreign publishing houses are quick to attack spy war novels that are partial to popular literature. Such works add new elements to contemporary literature and enrich the ways to know and understand China overseas." Jiang Zhiqin, a professor at Shandong Normal University, pointed out in his research.

　　The popularity of Decryption has also attracted overseas readers’ attention to China’s spy war novels. The works of Chen Haoji, Chen Zijin, Gang Xueyin, Qin Ming and Song Ying have been translated overseas, and the influence of China’s spy war novels cannot be ignored.

　　Towards more minority language areas

　　"In the past, we always paid attention to the spread of China literature in the English-speaking world in Europe and America. In recent years, through various literary exchanges, I found that some small-language countries such as Eastern European countries and Southeast Asian countries are also very interested in China literature. I hope that China’s contemporary literature will have more small-language translations." The editor-in-chief of World Literature said happily.

　　Vietnamese readers have a strong interest in China literature, and the number of translations and introductions of China literature in Vietnam has increased year by year, accounting for a considerable proportion of foreign literary works in Vietnam. From the early 1990s to the early 21st century, there was an upsurge of China literature in Viet Nam. Shen Congwen’s Border Town, Zhang Xianliang’s Half Men Are Women, and Wang Meng’s Heart of an inch of grass have been translated into Vietnam and welcomed by Vietnamese readers. On the one hand, it shows that the two countries are in the same Asian cultural circle, and there are more possibilities for communication in history, politics and folk customs. On the other hand, it is due to the long history of exchanges between Chinese and Vietnamese cultures since ancient times.

　　The spread of China’s contemporary literature in Vietnam also influenced the creation of Vietnamese writers. After winning the Nobel Prize in Literature, Mo Yan’s popularity among Vietnamese writers was further enhanced. According to reports, the novels of contemporary young writers such as Chen Qinghe Phantom, Du Huangyao and Ruan Yuzi in Vietnamese literary circles have more or less adopted the narrative techniques in Mo Yan’s novel "Big Breasts and Fat Buttocks" and have been recognized by Vietnamese readers.

　　"We should pay attention to the translation and dissemination of China literature in Southeast Asian countries such as Vietnam. During my contact with Vietnamese cultural circles, I found that they are very eager to understand China’s contemporary literature and hope that more contemporary literature will be introduced to Vietnam." Happy to say.

　　Some key translation projects make the translation and publication of Indian China literature more systematic. At the end of 2015, the "Sino-Indian Classic and Contemporary Works Translation and Publishing Project" was launched in India; In 2016, the Indian translation team was formally established and put into the work translation project. All the Chinese teachers in Indian universities are engaged in translation, which represents the higher level of literary translation in China, India. Contemporary literary works selected for this project include The Dust Settles, Fatigue of Life and Death, White Deer Plain and Shaanxi Opera. The designated publisher of the translation is the National Book Foundation of India, one of the major Hindi and English publishers in India.

　　Zeng Qiong, an associate professor at the School of Asian and African Studies at Beijing Foreign Studies University, believes that "this is a milestone for China literature to go abroad, especially to India."

　　The popularity of China TV series in Thailand has led to the translation of related publications. Some Thai fans who love China literature can’t even wait for the publishers to translate them, so they start translating them themselves. Treading on thin ice, empresses in the palace and legend of miyue are numerous in Thailand, which has promoted the spread of China literature in Thailand.

　　Chinese and foreign translators work together

　　Although the influence of China literature in the world has gradually increased in recent years, it is still far from commensurate with China’s comprehensive national strength and international status. "In the past few decades, China has introduced the best literary works in the world for the first time. The important works of representative writers from various countries have basically been translated into Chinese, while the number of foreign translations of China’s works is quite small." Happy to say.

　　Summarizing the classic cases of overseas communication of China literature, we can find that various publishing projects play an important role. Projects such as Classic China International Publishing Project, Silk Road Scholarly Translation Funding Project and China Contemporary Works Foreign Translation Project have been continuously promoted, and various official and non-governmental organizations have made concerted efforts to let more overseas readers see China’s literary works.

　　"In recent years, through a series of projects to fund and reward China’s book translation and overseas publishing, it has effectively promoted the global sales of multilingual versions of China’s literary works." Yao Jianbin said, "In this process, we should pay more attention to the evaluation and feedback of the project, not only to translate China literature, but also to see whether the translation is good or not and whether foreign readers can see it."

　　In the choice of target countries, writers and publishing circles have a broader vision, no longer just staring at English, French, German and other languages, but also have a world vision. Yao Jianbin believes: "The overseas spread and development of China literature is all-round and global, and cannot be limited to the English-speaking world or the traditional western powers."

　　Cultivating and establishing an excellent team of translators has become a key factor for contemporary literature to better go global. The role of sinologists is irreplaceable. Happy to think: "the team in foreign translation is relatively strong, and sinologists need the advantage of their mother tongue outside Chinese translation. This team is still relatively small."

　　In recent years, through the World Sinology Congress, the International Sinology Translators’ Congress and other Sino-foreign exchange activities, the Chinese Book Special Contribution Award, the Lu Xun Literature Award and other incentive mechanisms, and other measures to train foreign translators studying in China, foreign translators’ understanding of China literature and their enthusiasm for translation are improving. Fu Xuelian, an Italian sinologist, translated Liu Cixin’s Three-body into Italian and published it. Yahya, an Arabic translator, translated the representative works of Xu Zechen and other writers, which was welcomed by the Arabic world.

　　In addition, "it is also very important to establish a stable relationship between writers and translators, brokers or publishers, attach importance to the role of professional online journals and websites, and promote the copyright agent system to enhance the overseas influence of China contemporary literature." Yao Jianbin said.

　　"Culture, including literature itself, is part of the charm of a country and a nation. The process of contemporary literature going overseas is also a process of equal exchange of national cultures. " Happy to say.

　　Although the influence of contemporary literature overseas needs to be strengthened, it has become an important window to show China culture and Chinese charm. (Reporter Zhang Pengyu)

　　It’s the season to enjoy pineapple at will, and its sweet fragrance is everywhere in fruit shops and mobile fruit carts on the street, which is irresistible! However, many people have had this experience: pineapple will "sting"! Not only will its coat and crown on its head prick hands, but its flesh will also sting its mouth! Our oral cavity will be strongly stimulated, resulting in tingling, acidity and itching of oral mucosa and gums. What’s more, it suffers from bleeding, inflammation, redness and swelling around the mouth and lips. This is why people often soak pineapples in salt water first — — Reduce the intensity of its "sting mouth".

　　Why do pineapples sting?

　　Because pineapple is so "smart", in order to prevent humans and other creatures from eating it, it not only wears a barbed armor, but also hides three heavyweight weapons in the flesh.

　　The first heavy weapon: calcium oxalate needle crystal

　　Calcium oxalate needle crystal is the physical killing means of pineapple. Under the microscope, the bundle of calcium oxalate needle crystal wrapped by pulp tissue cells is like countless dense needles. They have a very powerful characteristic: they are insoluble in water. So it is not easy to be dissolved by our saliva!

　　When we chew pineapple pulp, we will destroy the tissue cells of the pulp because of the grinding of teeth, which is equivalent to opening the door to these invisible sharp needles that originally locked them. Once these sharp needles are released into the mouth, they will mercilessly "plunge" into any mucosal tissue they touch. With our continuous chewing, calcium oxalate needle crystals can be "pushed" into our tongue, inner wall of mouth, throat and gums, which are soft, delicate and have no resistance.

　　The second weapon: bromelain

　　This enzyme can be extracted from the pulp, peel and even stem of pineapple. Little friends who often cook must be familiar with this enzyme, because it is an important "second party" of tender meat powder. The common tender meat powder is either papain or bromelain.

　　Proteases, as the name implies, can decompose protein. On the one hand, bromelain will activate the "PAR" protease "alarm" in oral epithelial cells and free nerve endings, and after being activated, it will awaken the nerve pathway that can trigger itching. On the other hand, bromelain itself does destroy the protein of our oral mucosa — — It is achieved by decomposing and "cutting" the connective proteins between cells.

　　In this way, the defense network of oral mucosal cells is "relaxed" and the barrier protection is weakened, which makes it easier for some pathogens to take an opportunity to trigger inflammation or immune response.

　　Knowledge small link:

　　In fact, many fruits and vegetables contain both calcium oxalate crystals and proteases, such as papaya, spinach and figs. When we eat these fruits and vegetables, we won’t have obvious irritation, because the calcium oxalate crystals they contain are not needle-shaped, but oval or dumbbell-shaped and other non-lethal irregular shapes, so they won’t hurt our oral mucosa.

　　But kiwifruit is an exception. Calcium oxalate crystals in kiwifruit pulp are also needle-shaped, and kiwifruit also contains cysteine proteolytic enzyme. Therefore, when we eat kiwifruit, we will feel tingling more or less. Therefore, kiwifruit is also a kind of fruit that can "eat people", but it is not as fierce as pineapple, probably because its weapons and equipment are not as good as pineapple.

　　The third weapon: organic acids

　　The sour taste produced by organic acids such as citric acid, malic acid and quinic acid contained in pineapple not only stimulates our taste receptors, but also stimulates the pain receptors in the oral cavity. Combined with the first two weapons of pineapple, the lethality is self-evident.

　　The "killer" to conquer pineapple

　　How many have you learned?

　　In order to conquer the killer of pineapple and make it a delicious dish for human beings, our ancestors summed up several stunts for us:

　　1. Salt water soaking: This is the most common treatment method, which is said to "destroy bromelain". However, this principle is controversial and unsolvable, because sodium chloride in table salt is not a heavy metal salt, so it can’t denature protein. At best, some organic acids in pulp can be dissolved in water by soaking in salt water, thus reducing the stimulating effect of organic acids. Moreover, it is a bit salty to be sweet — — A small amount of salty taste can increase the taste buds’ perception of sweetness, which makes us feel "Wow! So sweet and beautiful! "

　　Of course, some people support that salt can reduce the activity of bromelain, and tell us through laboratory research data that different concentrations of salt water can really improve the problem of pineapple sting to varying degrees. When the concentration of saline increased significantly (from 0% to 3.5%, and then to 7% and 10.5%), the activity of bromelain decreased gradually. But what is the principle, it seems that it has not been verified.

　　2. Pepper salting: This is a classic way to eat in Guangdong, Guangxi and Hainan. It is sweet, sour, salty and spicy, and it is very delicious. As for whether the pain caused by spicy taste overwhelmed the acupuncture pain of pineapple in the end, or whether capsaicin and salt together inhibited the activity of bromelain, it is hard to say. I really expect someone to study this topic well to solve my confusion.

　　3. Heating: As a protein afraid of heat, bromelain can’t continue to show off at high temperature. When pineapple pulp is heated above 60 degrees Celsius, bromelain will be inactivated and calcium oxalate needle crystals will be dissolved to some extent. This is also the reason why pineapple pulp in delicious foods such as pineapple goo old meat and pineapple rice won’t make us feel stung. However, after heating to this temperature, the crisp, tough and cool taste of the pulp may be discounted, and interested friends can try it.

　　However, there must be some friends who refuse to heat the pineapple and are too lazy to soak it in salt water. So, how can you enjoy the delicious pineapple and relieve the pain of your mouth? The following two items are for reference — —

　　1. Make a quick decision: don’t eat slowly for a long time, and don’t give pineapple black weapons a chance to kill you fully;

　　2. Rinse your mouth in time: rinse your mouth immediately after eating pineapple to reduce the residence time of calcium oxalate needle crystals and bromelain in your mouth. If you like, you can rinse it several times, and the effect will be better. Text/Liu Suiqian (popular science worker, clinical nutritionist, member of China Nutrition Society)

　　

　　Xu Jinglei takes athletes into the stadium.

　　

　　Xu Jinglei plays table tennis with a pot.

　　　　

　　Xu Jinglei in the stands.

　　Tianfu Morning Post reported on April 28th.Table tennis, 110m hurdles, penalty shootout and tug-of-war … On 26th, Xu Jinglei celebrated the first anniversary of the publication of the interactive electronic magazine edited by herself with a special sports meeting. Gu Changwei, Zhang Yang, Chun Xiao, Huo Siyan and Dong Lu, friends in Xu Jinglei’s circle, came to join in one after another, and Lao Xu took part in four of the six competitions and won the table tennis doubles championship.

　　Win the table tennis doubles championship

　　At 1 pm on the same day, the Spring Games of Kai La was held in Beijing No.80 Middle School, Xu Jinglei’s alma mater. More than 100 readers who signed up through various channels formed five teams to participate. Xu Jinglei’s friends in the circle also came to help out, and they were organized into five phalanxes to lead their respective players to compete. Huo Siyan and Chunxiao, who looked gentle, tried their best, and Zhang Yang, the director, successively challenged the 110m hurdles and the penalty shootout.

　　As the editor-in-chief, Xu Jinglei personally designed uniform sportswear for the athletes, even risking the taboo of sports competitions. While serving as the chief referee of the sports meeting, she also participated in four competitions, such as table tennis, 400-meter relay race and tug-of-war, and won the table tennis doubles competition in one fell swoop, showing her elegant demeanor in sports. Interestingly, in the last two games of the table tennis competition, Lao Xu changed her racket into a frying pan, and frequently spiked the ball with her hand. The momentum was very heroic and exaggerated, and even her opponents were amused to tears by her appearance.

　　Plan a new beginning

　　The scene was in full swing, and the photo wall specially set up outside the stadium also attracted the attention of many viewers. It is reported that this photo wall is specially set up for the fashion electronic magazine "Open Street Shooting", which is about to go online. The new magazine will focus on promoting street fashion. Lao Xu said that after one year’s operation, the income of Open is satisfactory, and her next work will still focus on electronic magazines. "Maybe I will start a new job when everything is on the right track."

Editor: Li Dan