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palm oilAs an important vegetable oil, it plays an important role in the global food and non-food industries. It comes from the fruit of oil palm trees and is mainly produced in Southeast Asia, such as Malaysia and Indonesia. The climatic conditions in these areas are very suitable for the growth of oil palm trees.

The production process of palm oil begins with the harvest of oil palm fruit. After a series of treatments, including cooking, squeezing and refining, the fruit finally gets palm oil. Because of its high stability and low cost, this oil is widely used in food processing, such as baked goods, instant noodles and chocolate. In addition, palm oil is also used to produce non-food products such as biodiesel and cosmetics.

Palm oil futures is a popular commodity futures contract in the futures market. Investors can buy and sell palm oil futures contracts through exchanges to hedge the risk of physical palm oil price fluctuations or speculate. The price of palm oil futures is influenced by many factors, including the relationship between supply and demand, climate change, policies and regulations, and the global economic situation.

The following are some key factors that affect palm oil futures prices:

When investors participate in palm oil futures trading, they need to pay close attention to the changes of these factors and make wise investment decisions by combining technical analysis and fundamental analysis. In addition, understanding the historical price trend and current market dynamics of palm oil market is also very important for forecasting the future price trend.

In a word, palm oil, as a multi-purpose vegetable oil, plays an important role in the global market. The active trading in its futures market provides investors with rich investment opportunities, but also brings corresponding risks. Therefore, it is very important for any investor who intends to participate in palm oil futures trading to deeply understand the characteristics and market dynamics of palm oil.

1905 movie network news The first realistic film directed and performed by Li Yang, director of Berlin Silver Bear Award, and co-starring Du Hanmeng, Yu Yue and Hu Ming, focusing on the real plight of urban vagrants/beggars blind children, "has been released nationwide. On the day of the release, director Li Yang and Du Xin, who plays Jingjing, a wandering and blind girl, dreamed of a face-to-face exchange between the cinema and the audience, telling the audience about an independent filmmaker’s creative achievements and mental journey in the past 15 years.

Wang Baoqiang appeared in the star public welfare trailer of Blind Road before, and supported his mentor Li Yang. This time, he was surprised to appear on the platform of Li Yang. He bowed deeply and expressed his gratitude to Director Li Yang. While calling for the film, he did not forget to appeal to everyone to recommend the film to relatives and friends. From the release date of February 2nd, Blind Road will officially open roadshows in Shanghai, Guangzhou, Chengdu and Xi ‘an.

"Sixteen years ago, I was like a street child in The Blind Road. I drifted north for three years and never came home. Fortunately, Director Li Yang gave me a chance. It is a great pleasure that Blind Tao finally meets the audience. " When the host asked director Li Yang why he chose Wang Baoqiang at that time, director Li Yang said that because of his own temperament, his life experience touched me very much, and more importantly, he worked very hard.

As one of the screenwriters of "Taking Tiger Mountain Outward", director Li Yang proved to the audience that he has the ability to make commercial films. After Blind Tao, director Li Yang will shoot commercial films. Wang Baoqiang said that the two will have the opportunity to cooperate again in the future, and he is very much looking forward to appearing in the film directed by Li Yang again. At the scene, he even promised to director Li Yang, "As long as the role is good, I am willing to play for zero pay." Thunderous applause rang out at the scene.

Blind Tao, as a work returned by director Li Yang after ten years’ absence from the domestic big screen, tells the story of the adventure and redemption of a down-and-out rock uncle and a wandering blind girl. Director Li Yang discussed the film with the audience on the spot. "The story of the film is relatively simple, that is, redemption and self-redemption. Jingjing, played by Du Hanmeng, was sold by her biological mother and sexually assaulted by her stepfather. After she met Zhao Liang, Zhao Liang always helped Jingjing out of embarrassment for her daughter. In fact, this is a very warm story. "

Li Yang expressed the hope that the film will be seen by more and more people and arouse discussion, so as to pay attention to and change the fate of homeless/begging blind children.

After the road show in Beijing, Li Yang and Zhu Chuang will rush to the next stop in Shanghai. In the next four days, they will meet in cinemas in Shanghai, Guangzhou, Chengdu and Xi ‘an. After filming the "Blind Trilogy" in 16 years, Li Yang said that he could not do without the encouragement from his relatives and friends and the support from the audience. "Blind Road has no money for publicity, and there are very few films. Wang Baoqiang, Bai Yansong, Lu Yu, Cui Yongyuan, Cui Jian, Dou Wen Tao, Ren Zhong, Jiang Xiaohan, You Jingru and others selflessly promoted the film, not because of our relationship. They also hope that domestic films will be made in addition to our own.

It is reported that the film "Blind Road" is currently being shown in the country.

1905 movie network news Comedy movies are being shown. Up to now, the box office has exceeded 390 million, ranking first in the box office for three consecutive days, and the total number of people watching movies has exceeded 9.79 million. The film recently released a special video of "Post-holiday Syndrome of Migrant Workers". From the perspective of Jia Youwei, the video vividly shows the state of contemporary migrant workers going to work on the first day after the holiday.

"thelma and louise Money" combines comedy with realistic elements, allowing the audience to "enter the play in one second". The comedy element in the film is not only to convey happiness, but also to show the characters and inner feelings of Jia Youwei and other characters in a three-dimensional way. Some viewers praised "thelma and louise Money" as an emotional experience that people can’t help but feel.

And the actors’ life-style performance makes the film feel more real. "Compared with those distant stories of getting rich, this kind of life is obviously closer to our daily life." As Jia Bing said: "When the real emotions are in place, there is no need to perform at all." This kind of natural emotional expression makes the audience laugh and feel the struggle and attitude expressed in the film.

The narrative structure of the film is ingenious, and with the deepening of the plot, the motivation of the characters is released step by step to enrich the characters. When Jia Youwei proposed "eating hamburgers", Sha Baihu’s interruption was regrettable, but at the end of the story, Sha Baihu remembered his brother Jia Youwei’s long-cherished wish for hamburgers, and the audience wept with Jia Youwei’s emotion, calling it "close to life, which is a unique comedy style of small people".

When discussing realistic topics, the film does not use heavy narrative methods, but uses comedy techniques to present it easily, so that the audience can think about the meaning of life in the interweaving of laughter and tears. The director said: "I hope the audience can find happiness and resonance in this film, and feel that life is not necessarily just busy, but also friends and friendship, which are worthy of attention."

　　CCTV News: TodayAt the press conference (11th), a reporter asked, "The Interim Measures for Hong Kong, Macao and Taiwan Province Residents to Participate in Social Insurance in the Mainland (Mainland)" was officially promulgated. Participating in social insurance in the Mainland is a matter of immediate and practical interest to Taiwan Province compatriots. What tangible benefits will Taiwan compatriots get from it? In this regard, Zhu Fenglian, spokesperson of the Taiwan Affairs Office of the State Council, introduced that the social insurance system is a kind of social welfare treatment provided by the state. The "Interim Measures" are very comprehensive in considering the applicable personnel of Taiwan compatriots and have achieved full coverage for Taiwan compatriots insured in the mainland.

　　Zhu Fenglian said that the promulgation of the "Interim Measures" is an institutional arrangement to gradually provide equal treatment for Taiwan Province compatriots in the mainland, which was put forward by the 19th National Congress, and it is also a concrete measure to implement the important proposition of the Supreme Leader General Secretary on promoting cross-strait social security and sharing of public resources. It means that Taiwan compatriots who work, live and study in the mainland can enjoy the relevant welfare system provided by the state like mainland residents.

　　Zhu Fenglian, spokesperson of the Taiwan Affairs Office:The "Interim Measures" are very comprehensive in considering the applicable personnel of Taiwan compatriots, and have achieved full coverage for Taiwan compatriots insured in the mainland. It is not only applicable to employed Taiwan compatriots in various forms such as unit employment, flexible employment and self-employment, but also applicable to unemployed Taiwan compatriots living in the mainland and Taiwan Province students studying in mainland universities. For Taiwan compatriots who participate in the basic old-age insurance for urban and rural residents and the basic medical insurance for urban and rural residents in the mainland, the mainland governments at all levels will give corresponding financial subsidies according to regulations to ensure the social security level of the insured Taiwan compatriots.

　　Zhu Fenglian said that the Interim Measures made special arrangements for Taiwan compatriots to participate in social security in the mainland, taking into account the actual needs of reducing the pressure on Taiwan compatriots to pay fees and returning to Taiwan to work and study. If Taiwan compatriots do not choose dual insurance in mainland China and Taiwan Province, they can not participate in old-age insurance and unemployment insurance in mainland China on the basis of certificates issued by relevant authorized institutions, thus effectively solving the problem of dual insurance that Taiwan compatriots are concerned about. If Taiwan compatriots leave the mainland before reaching the prescribed pension conditions, they can choose to keep their accounts and continue to pay fees when they come to the mainland for employment or residence again. They can also choose to apply in writing to terminate the social security relationship and withdraw the amount stored in the social security personal account at one time.

　　Zhu Fenglian, spokesperson of the Taiwan Affairs Office:The Interim Measures clearly stipulates that Taiwan Province compatriots have the right to participate in five social insurances, of which maternity insurance and work-related injury insurance are paid by employers in the mainland, and there is no need for individual insured Taiwan compatriots to pay any fees, which effectively enhances the scope and intensity of social security for Taiwan compatriots to participate in insurance in the mainland.

Volkswagen sagitar 2015 1.6 automatic comfort is a compact car with stylish appearance and exquisite and comfortable interior. It is equipped with a 1.6L naturally aspirated engine with a maximum power of 110 HP and a maximum torque of 155 Nm. With the automatic transmission, it is easy and smooth to drive. Sagitar’s body size is moderate, the interior space is spacious, and the rear seats can be folded down, which increases the storage space of the trunk. In addition, sagitar is also equipped with a wealth of safety configuration, such as reversing radar, brake assist, etc., to provide drivers with all-round safety protection. In terms of intelligent technology, sagitar also performed well, equipped with functions such as central control large screen, navigation system and Bluetooth connection, which improved the convenience and comfort of driving. Generally speaking, Volkswagen sagitar is a cost-effective model, suitable for daily use and long-distance travel at home.

Keep watch | focus on insurance innovation

Driven by the market trend and customer demand, the digital transformation of the insurance industry has entered a new stage.

On September 7th, Ant Insurance released the first digital operation platform "Xingyun 1" in the industry, and it was fully open to cooperative insurance institutions. This means that insurance institutions can realize the online and digital operation of the whole process of sales, operation and service on Ant Insurance, greatly improving operational efficiency and service experience.

In the insurance industry, PICC Health has always been a pioneer in digital management. Since 2018, it has been in contact with the Internet and launched the first "good medical insurance and long-term medical care" in China to guarantee 6-year renewal, which quickly became an explosion. In the face of the rapid influx of Internet users, PICC has realized digital operation healthily and quickly, and online the whole process of policy processing and claims processing.

Today, for the digital operation of PICC Health, it is no longer the digitization of basic processes, but the need to enhance customer service experience through more intelligent tools. In May this year, the "Good Medical Insurance" series of products took the lead in accessing Ant Insurance’s "Peace of Mind Compensation". Through scientific and technological capabilities, more than 90% of cases can be settled within 2 days, and digital operations are optimized in service experience.

Digital transformation: keeping people healthy and entering a bumper harvest period

Among the insurance companies undergoing digital transformation, PICC Health has to be mentioned, and its recently released financial report also shows that the company’s digital transformation has begun to show results.

The financial report of PICC Health in the first half of 2022 showed that the company’s operating performance reached a record high, achieving a net profit of 742 million yuan, an increase of 186.5% year-on-year; The original insurance premium income was 30.383 billion yuan, an increase of 18.8% year-on-year, and the premium scale ranked first in professional health insurance.

It is particularly noteworthy that PICC Health’s Internet business accounts for 30% of the total, and it has served more than 60 million customers nationwide, which reflects PICC Health’s leading position in digitalization based on Internet channels.

As a professional health insurance company under the People’s Insurance Company of China, People’s Insurance Company of China and Ant Insurance Co., Ltd. have developed Internet inclusive products with relatively high security and relatively appropriate prices, and at the same time realized the combination of long and short insurance, covering medical, serious illness, accidents and other insurance products. At the same time, through the advantages of Ant Insurance Platform, the service scope has been extended further and further.

In addition to products, another advantage brought by ant insurance is channels. It can be seen from the data of PICC that 78% of its customers come from third-tier and below cities, which is of great significance to PICC health and to expand the customer base in third-and fourth-tier cities and vast rural areas.

In terms of service, Ant Insurance’s Internet attribute promotes PICC health and continuously optimizes Internet online services, providing 7*24-hour all-weather service capacity, meeting the needs of a large influx of customers at night and strengthening night service capacity. According to the data of People’s Insurance, thousands of consultations flow in every day for 12 hours at night, which really meets the immediate needs of users.

In other services, the two parties jointly launched family mutual aid and "peace of mind compensation" to deepen users’ service experience and claim perception. From the data point of view, PICC Health’s online claims rate can reach 98%, and customer satisfaction can also reach 98%.

Digital transformation and upgrading services: 90% of claims can be paid within 2 days.

On May 16, 2018, PICC Health and Ant Insurance launched the first "Good Medical Insurance Long-term Medical Care" insurance with a six-year guarantee in China. In a short time, the number of insured users reached the order of one million, which became an explosive online celebrity product of their cooperation.

In the early stage of the launch of good medical insurance products, claims are made by offline mailing materials. The service limitation is relatively insufficient, and the biggest appeal of Internet insurance products is to settle claims quickly and not polish them well, which will have an impact on the healthy development in the future.

Since then, PICC Health has set up a special operation center and started to cooperate with Ant Insurance to solve the user’s claim experience. In recent years, PICC Health has used the "claims brain" developed by Ant Insurance to intelligently identify 107 kinds of medical and claims vouchers through AI smart camera identification, OCR identification, bill direct connection, risk control entry and other technologies, with an identification accuracy rate of over 95%, helping insurance institutions to improve their claims efficiency by over 70%, and at the same time improving the convenience and limitation of claims for users.

In May this year, PICC Health "Good Medical Insurance and Long-term Medical Insurance" took the lead in accessing Ant Insurance "Peace of Mind Compensation", and more than 90% of the cases were settled within 2 days. At present, the online claims rate of good medical insurance has accounted for 98% of the total claims.

In the final analysis, for people’s health, the next stage of digitalization will be digital intelligence with "service" as the core.

Digital management of insurance industry enters the fast lane

Digitalization has been engraved into the genes of insurance companies, and it is also true for people’s health. In the business philosophy of keeping people healthy, service technology innovation is the key development direction in the future.

In the next stage, PICC Health will attract and retain customers with better professional digital construction, focusing on user demand mining, product richness, specialization of service team and technical iteration to enhance user experience and satisfaction. For example, PICC Health will enhance the service experience of the elderly through exclusive services for the elderly. In terms of online customer service, PICC Health will continue to deepen its cooperation with Ant Insurance, and use digital technology to actively introduce direct compensation and other methods to provide more intimate claims service.

For insurance companies, digital operation is more important to enhance their core service capabilities. Behind this, it is necessary for insurance companies and insurance agency platforms such as Ant Insurance to cooperate closely in science and technology to better meet the actual needs of users.

The ant insurance "Xingyun 1" platform launched this time can be synchronized to insurance companies through users’ search needs, providing users with more insurance products that meet their needs.

Secondly, in terms of service, insurance companies can realize the online service of the whole process from pre-insurance, insurance to after-sales through the "Xingyun 1" platform. Insurance institutions can open an exclusive "business hall" in Ant Insurance to carry out product sales, content education and rights and interests services, and help insurance institutions establish online self-operating positions directly connected to users. In addition, through AI technical capabilities, insurance institutions can provide users with services such as policy management and claims settlement.

In addition, in terms of intelligence, many traditional insurance companies seek experience from the Internet technology industry. "Xingyun 1" has opened up the technical capabilities accumulated by Ant Insurance in the fields of risk control and claims, improved the accuracy of underwriting and claims, and improved the operating efficiency of insurance companies. Really enter the fast lane of digital management with insurance companies.

Click "Read the original" to buy the latest industry report of Baoguan.

This article first appeared on WeChat WeChat official account: Bao Guan. The content of the article belongs to the author’s personal opinion and does not represent Hexun.com’s position. Investors should operate accordingly, at their own risk.

There are still many art exhibitions in winter. In the week of early December, the most interesting one is the "Gentleman as Orchid: Art Special Exhibition to Commemorate the 110th Anniversary of Bai Jiao’s Birth" in Shanghai Jinshan District Museum, which presents the brilliant artistic life of Bai Jiao, a poet, scholar and art educator. China National Museum’s "Commemorating the 110th Anniversary of Li Keran’s Birthday-Exhibition of Mo Tianjing Li Keran’s Works in the Last Ten Years" not only shows Mr. Li Keran’s paintings, but also presents the scenes where he once lived and created. In addition, the "Royal Crown Exhibition in West Cameroon, Africa" at the Metropolitan Museum of Art in the United States and the "Italian Moment-Masterpiece of Upper France" at the Lens Branch of the Louvre in France are also worth looking forward to.

Shanghai:

Art Exhibition of Ancient Murals in Shanxi Museum

Exhibition period: November 30, 2017-March 4, 2018

Venue: Shanghai Museum

This exhibition, jointly sponsored by Shanghai Museum and Shanxi Museum, selects 12 groups of 89 treasures of tomb murals unearthed in Shanxi during the Northern Dynasties and the Song, Jin and Yuan Dynasties, all of which are publicly exhibited for the first time. It is the largest special exhibition of ancient murals so far. The exhibition is divided into two parts. In the first part, "Heaven is like a vault", there are 36 exhibits in three groups, which are from Loucuo Tomb in Beiqi, Taiyuan, the mural tomb in Shuiquanliang, Shuozhou and the mural tomb in Jiuyuangang, Xinzhou. Among them, the Shuiquanliang Beiqi mural in Shuozhou painted the earliest and most complete picture of the zodiac, and the architectural mural of the Northern Dynasties was first discovered in Jiuyuangang mural in Xinzhou. The tomb of Shuiquanliang Beiqi mural will also be restored at the exhibition site. In the second part, "People are also Loess", there are 9 groups of 53 works, from the mural tombs of Song and Jin Dynasties in Queens Village of Yuxian County, the mural tombs of Jin Dynasty in Nanguan Village of Fanshi, the mural tombs of Nanhuyan Village in Xinzhou, M1 mural tomb in Xiguan Village of Pingding, Yuan tomb in Yangquan East Village, etc.

Peer-2017 "Belt and Road" International Art Joint Exhibition

Exhibition period: November 13, 2017-March 31, 2018

Venue: China Art Palace

"Peer-2017 Belt and Road International Art Joint Exhibition" includes four major exhibitions: "Beautiful Western Australia" China-Australia photography joint exhibition of "Beautiful Moisturizing Heart and Beautiful Two Cities" (from November 13th to January 30th, 2018), "Beyond the Heaven: Mongolian Art in Today’s Times" and "Sailing: A Tour of Serbian Contemporary Art" Through four exhibitions, people of different nationalities and cultures are connected to have a dialogue with common spiritual language.

A Gentleman Like a Orchid: An Art Exhibition to Commemorate the 110th Anniversary of Bai Jiao’s Birth.

Exhibition period: November 25th-December 24th, 2017.

Venue: Jinshan District Museum

Bai Jiao is a famous modern painter, art educator and a native of Zhangyan, Jinshan, Shanghai. This year marks the 110th anniversary of Mr. Bai Jiao’s birth. This exhibition is divided into four sections —— "Thousand-year-old town, romantic in the clouds", "Book is the heart painting, the charm of Wei and Jin Dynasties", "A generation of Lanwang, a friend of a gentleman", "It is the responsibility of every man to save the world", and through more than 100 collections of paintings and calligraphy works, celebrity relics and historical documents, Bai Jiao, a poet, scholar and art educator, is displayed beyond the dimensions of painters and painters previously known. Among them, the largest exhibition is the eight screens of Bai Jiao’s regular script "Preface to the 60th Birthday of Mrs. Liu, Zhang Mu" collected in Jinshan District Museum in 1939.

Shanghai visual art design exhibition

Exhibition period: December 3-December 13, 2017.

Venue: Liu Haisu Art Museum

Standing in the field of visual design, the exhibition revisits the concept of "open works" and does not call for giving up "technology", but on the contrary, it expects that new technology will bring about the reorganization in the creative sense, and the exhibition expects the new vitality nurtured by "creators, readers and works". Highlights of this exhibition include: Special Exhibition: Tribute to mitsuo katsui’s Visual Art Career, Global Exhibition of 25 Visual Art Designers, Extension of Interface-Dynamic Poster Art Design Exhibition, D&AD2017 Award-winning Works Exhibition and SIVA Design Education Achievement Exhibition. Among them, the special exhibition will display 42 posters by mitsuo katsui, a Japanese graphic design master, and 26 sets of precious book design masterpieces and some video works that run through the history of modern Japanese design, with a creation span of more than 40 years.

Xishan Qingyuan: Sean’s Chinese Painting Exhibition

Exhibition period: December 8 to December 17, 2017.

Venue: Jinghua Art Space　

As the vice president and painter of Shanghai Chinese Painting Academy, Sean originally graduated from the Chinese Department of Fudan University, and loved painting since childhood. His works are popular, elegant, fresh and natural, and have won the interest of predecessors’ pen and ink, elegant artistic conception, smooth brushwork, calm and bright colors. The works on display this time are hand-rolled, album-printed, vertical shaft, fan-shaped, sketch and other forms, all of which are meticulous works accumulated by artists for many years.

My 60 Years-Li Xiushi Art Retrospect Exhibition

Exhibition period: December 6-December 23, 2017

Venue: Shanghai Oil Painting Sculpture Institute Art Museum

This exhibition consists of 10 important nodes of Mr. Li Xiushi, which show his 60-year artistic course, and pay more attention to the exhibition and presentation of documents, with a strong sense of history. The sketches of the famous work Crossing the Yangtze River in 1959, the materials reported by the media at that time, the remnants of the thematic works replaced by Spring to Xing ‘an Mountains, the historical photos of the Huangshan Conference and the Fourth American Congress of the Chinese Artists Association in 1985, and the stories and graphic materials behind them will be vividly displayed in this exhibition.

Cloud Mountain for Swallows —— Special Exhibition of Yamagata Yashi and Ink Stone Mountain

Exhibition period: December 1-December 16, 2017.

Venue: Xuhui Art Museum

This exhibition is an attempt in the field of elegant play in the study. There are many kinds of elegant play, but only strange stones can be offered and rewarded, so there are the sayings of "offering stones" and "supporting clouds". Artists participating in this exhibition include Chai Yiming, Gan Yongchuan, Liu Xu, Liao, Ma Xinyang, Pang Fei, Shen Wei, Shen Ben, Yu Qiping and Zhao Xudong. These artists are fond of stone for a long time and have their own exploration of stone appreciation and painting. In this exhibition, I hope that visitors can gain an understanding of stone-to-art from their works.

Exhibition of Su Xiaosong’s Traditional Chinese Paintings in Italy and Ancient Society

Exhibition period: December 1st-December 3rd, 2017.

Venue: Duoyun Art Museum

More than 60 works by Su Xiaosong, an exhibitor, will be exhibited in this exhibition. Mr. Su Xiaosong studied under the painter Jiao Yu. In his early years, he imitated the painting style of virtual valley, and his brushwork and meaning were similar. Later, he mainly participated in editing the series of picture albums of "Yi Yuan Yi Ying".

Hidden-Exhibition of Bai Ying’s Works

Exhibition period: December 3-December 31, 2017.

Venue: No.8 Bridge Art Space-1908 Granary.

Bai Ying’s works are more based on the artistic representation of the shapes, lines and ink expressions of the characters. The works on display in this exhibition include a series of new works by Bai Ying in recent years, with the theme of "water", and the picture content presented is often not directly related to water. Taking "Huan" as the theme of the exhibition has become a position, that is, it is hidden and present, and the directness of the rippling blue waves can be an indirect one. This is the correlation between two levels, on the one hand, the spatial extension and diffusion of ink painting, on the other hand, the integration and infiltration of Chinese painting and western art after mutual introduction.

The lingering charm of three inks-Liu Sanyu’s Chinese painting exhibition

Exhibition period: December 8-December 12, 2017

Venue: Shanghai Library

Liu Sanyu studied under Mr. Xu Fang and Mr. Feng Shifu, and there are three kinds of brush and ink in his works: Jiao Mo, colored ink and ink. Needless to say, Jiao Mo’s Jiao Mo flowers and birds, unique pen and ink, unique charm. Colored ink, on the other hand, comes from tradition but does not stick to it. It is novel and colorful. Ink painting continues the tradition of literati painting and inherits the style of Shanghai painting school, and the charm of Shanghai painting school is more than that of Sichuan.

Stealth-Exhibition of Zhuang Jie&Mo Shuwen’s Works

Exhibition period: December 1-December 27, 2017.

Venue: melnikov Art Museum

The two artists participating in this exhibition, Zhuang Jie and Mo Shuwen, are two young artists. Zhuang Jie’s oil paintings reflect personal ingenuity in the use of concreteness and abstraction, gray and bright colors, and convey the traditional and innovative ideas of oil painting art. There are 18 pieces of her works in this exhibition. Mo Shuwen’s works are mainly abstract, drawing lessons from the exaggerated and distorted expressions of Ou Jifu and Yayoi Kusama, and her paintings are more inclined to the expression of mood than concrete things. She has 13 works on display in this exhibition.

Nourishing Vegetables in Qiuyuan —— Wang Gufu’s Landscape Painting Exhibition

Exhibition period: December 5-December 20, 2017

Venue: Deqiu Art Museum

A total of nearly 30 pieces of Wang Gufu’s works were exhibited in this essay exhibition, which was launched in the form of elegant collections. The author aims to study the organic combination of pen and ink spirit and cursive spirit of landscape painting, highlighting the writing. Under the guidance of its emotion, writing is characterized by continuity, correlation and germinal writing.

Beautiful Water —— Exhibition of Sun Jiapei’s Works

Exhibition period: December 3-December 31, 2017.

Venue: No.8 Bridge Art Space-1908 Granary.

Sun Jiapei, a painter living in Japan, rarely has a panoramic composition, but often intercepts the most artistic pictures to create a quiet effect. Realism is the main tone of many of his works, but at the same time, he also focuses on depicting the atmosphere, which is the characteristic of his paintings, and this characteristic can be realized in almost all his works. Sun Jiapei’s love for water towns dates back to his childhood. He likes to observe the changes of light and water, and he can also feel the implication of combining the scenery of water towns with the memories of his youth from his works. In addition to the water towns in the south of the Yangtze River, there are many works in this exhibition depicting the waterscape of European towns.

Beijing:

Commemorating the 110th Anniversary of Li Keran’s Birthday —— The Exhibition of Li Keran’s Works in the Last Ten Years of Mo Tianjing

Exhibition period: November 30, 2017-January 3, 2018.

Venue: China National Museum.

Li Keran was an outstanding painter and poet in modern China and a disciple of Qi Baishi. 2017 is the 110th anniversary of Mr. Li Keran’s birth. This exhibition specially selected 110 masterpieces and calligraphy works of Mr. Li Keran in the last 10 years from 1979 to 1989, and held this exhibition with the theme of "The Heaven of Mo" to commemorate this great artist. Mr. Li Keran’s last decade was his most brilliant one, and it was also the decade when he reached the peak of his life art. In the same period of the exhibition, Mr. Li Keran’s "Shi Niu Tang" studio was restored and reappeared. Through the restoration of the studio scenes, those moving historical pictures were reproduced, and the scenes where Mr. Li Keran once lived and created were vividly displayed.

Praise to British Artists and British Printing Culture —— From Huo Jiasi to Turner

Exhibition period: November 24, 2017-February 28, 2018.

Venue: Secler Museum of Archaeology and Art, Peking University

This exhibition mainly focuses on the golden age of English art, starting from william hogarth (1697-1764) and ending with Joseph Marlowe William Turner (1775-1851). For Britain, this hundred years has been a glorious era, and at this point, British art has also begun to move toward the center of the world stage. The exhibition will display watercolor paintings and prints from important artists in this period; At the same time, it will also focus on the "printing culture" with printmaking as the carrier. "From Huo Jiasi to Turner" is a grand proposition. This exhibition hopes to reproduce the prosperity of British art in the 18th and 19th centuries, and outline the British style hundreds of years ago with exquisite works.

Hangzhou:

Exhibition of female painters’ works in Ming and Qing Dynasties

Exhibition period: November 25th-December 24th, 2017.

Venue: Wulin Hall of Zhejiang Provincial Museum

China’s ancient paintings have experienced thousands of years of development, and famous artists have emerged in large numbers, but the footprints of female painters are often hidden. Especially before the Ming Dynasty, no matter from the historical records of painting or the circulation of works, female painters were rare. After the Ming Dynasty, Lv Kun, Tang Xianzu, Yuan Hongdao and other scholars with advanced ideas put forward new views on women’s issues in varying degrees, which caused the society to re-examine the value of women, and gradually enhanced women’s self-awareness and status. This exhibition integrates more than 60 paintings and calligraphy works of more than 30 boudoir painters in Ming and Qing Dynasties collected by Zhejiang Museum, Changzhou Museum and Changshu Museum.

The Great Exhibition of the 120th Anniversary of Pan Tianshou’s Birth

Exhibition period: December 1, 2017-January 14, 2018

Venue: Zhejiang Art Museum

Pan Tianshou (1897-1971) was a master of Chinese painting and an art educator in the 20th century. This exhibition is the largest exhibition of Pan Tianshou’s works in history. More than 120 representative works of Pan Tianshou and their manuscripts will be exhibited. The exhibition is divided into "high wind and strong bones", "drinking life", "blindly bullying and fierce", "strange rise and bright gap", "Yandang Mountain Flower" and "keeping constant and changing". Starting from artistic style, educational contribution, painting thoughts, pen and ink achievements, composition and composition, Chinese sketching, inheritance and innovation, this paper weaves painting, painting theory and poetry into one, tells Pan Tianshou as an artist, educator and painter in an all-round way, and shows the audience this three-dimensional painting history great man.

Guangzhou:

East and West on Fans: Exhibition of Chinese and Western Fans in 18th and 19th Century

Exhibition period: December 1, 2017-April 1, 2018.

Venue: Guangdong Folk Arts and Crafts Museum

Located on the coast of the South China Sea, Guangzhou has been the geographical hub of the "Maritime Silk Road" since ancient times. In the first half of 18th-19th century, Guangzhou’s various arts and crafts, including all kinds of exquisite export fans, confirmed the development of the golden age. Guangzhou’s export-made fans are excellent in technology and diverse in materials, which has also influenced the production styles of fans in Britain, France and other countries, and "China element" has appeared on fans. The exhibition will display 47 Guangzhou export fans and 26 European fans. The exhibition is made by borrowing fine fans with distinctive China brand from Victoria and Albert Museum, Fan Museum and Fitzwilliam Museum in England, and combining the collection with Guangzhou export.

Shenzhen:

Eating design: a solo exhibition by Dutch designer Marije Vogelzang

Exhibition period: December 2, 2017-March 4, 2018

Venue: Hua Art Museum

This exhibition is the first solo exhibition of Marije Vogelzang, a pioneer of global "eating" design, in China. Maregie Vogzan, from the Netherlands, graduated from Inhoffen School of Design and is currently the professional leader of "Man and Food" in the school. In 2016, she founded the Dutch Institute of Food and Design, and has been engaged in the research of "eating" for 18 years. A total of 14 installations, images and design works were exhibited in this exhibition. Marigi is not only the most intuitive discussion of the concept of "eating", but also helps people feel and understand that "food is the most intimate material with human beings" through various forms of interaction. On the opening day, she will have face-to-face communication with the audience through the lecture "Eating Design: Emotional Design Triggered by Food".

Ningbo:

Exhibition of Han Tianheng and His Disciples’ Works

Exhibition period: December 5, 2017-January 7, 2018

Venue: Ningbo Museum

This exhibition consists of two exhibitions: "Don’t overstep the bounds-Han Tianheng’s 70-year painting and calligraphy exhibition" and "Bai Le Ya Ji-the 12th painting and calligraphy exhibition of teachers and students in Han Tianheng". Han Tianheng’s nearly 210 calligraphy, painting and seal cutting works, including seal cutting Do not forget your initiative mind, painting misty rain tower in Nanhu, Jiaxing and Lingxiao, will be exhibited in the exhibition, which will present his creative style and philosophical ideas in different periods. The exhibition "Bai Le Ya Ji" integrates the calligraphy, painting, seal cutting, inkstone carving, stone carving, wood carving and photography of 216 Han Tianheng disciples, with rich categories and various forms. In addition, from December 5 to December 10, the academic lecture hall on the third floor of Ningbo Museum will also hold 15 art lectures on related topics.

Chongqing:

Impression of China and Japan: Feng Xuemin, a Chinese photographer living in Japan, exhibited.

Exhibition period: December 1st-December 20th, 2017.

Venue: Chongqing Art Museum

This exhibition will show 45 excellent photographs by Mr. Feng Xuemin. Feng Xuemin was born in Shanghai, China in 1953. He worked as a photojournalist for Shanghai Pictorial in 1982 and went to Japan to study photography in 1985. He has been studying and starting a business in Japan for 30 years, and has taken a large number of photographs reflecting Japanese folk customs. He returned to China for more than 70 times, taking photos of his hometown and China culture to capture the natural scenery of the motherland. He presents the beautiful scenery, customs and customs of China and Japan by photography, including some world heritages and the natural original ecology that is about to disappear or has disappeared. In addition, Feng Xuemin, an exhibitor, will give a "Photography Lecture on Chinese Cultural Journey" at the Academic Lecture Hall of Chongqing Art Museum at 15:30 on December 1st.

Hong kong:

Ifugao Sculpture: Expression of Philippine Mountain Art

Exhibition period: December 1, 2017-February 4, 2018.

Venue: Hong Kong University Museum of Fine Arts

This exhibition will display the artistic works of three tribes in northern Luzon, Philippines, including portrait sculptures and boxes used in ceremonies, showing the artistic features of indigenous sculptures in the Philippine mountains in the 18th and 20th centuries. The exhibits include all kinds of artifacts, including sculptures, such as the "bloor" god of rice, and the "Herb" god of war, which can summon God’s help; Boxes, such as sculpture boxes for celebrations called "Punan Han" and food containers called "Tang Gong Ge" and "Tano"; And other practical utensils, such as "Chenaihu", bowls and toys.

Taipei:

The Story of Brand: Emperor Qianlong’s Cultural Relics Collection and Packaging Art

Exhibition period: December 8, 2017-March 7, 2018

Venue: National Palace Museum, Taipei

This exhibition focuses on the collection of cultural relics and related packaging art of Emperor Qianlong of the Qing Dynasty (reigned from 1735 to 1795). The exhibits include various exquisite options such as utensils, paintings, books and documents. The exhibition echoes these historical relics with the concept of modern people creating new products and establishing brands, and then brews a forming perspective from the brand of Ganlong. The exhibition is divided into four units. In the first unit, "Opening the Treasure Box", the contents of the "Hundred Pieces" box displayed are rich and diverse, and different types of cultural relics are gathered in one place, which shows that the collection of emperors comes from all directions, and the time span and regional breadth far exceed our imagination. The second unit, "Favorite Antiques", shows Emperor Qianlong’s contact with antiquities, textual research and exploration of historical trajectory. The third unit, "Treasuring Treasures", through the interactive use of newly-made and reused boxes, completely records the idea of storage and the art of display arising from the emperor’s management of Qing palace cultural relics. The fourth unit, "Qianlong Brand", aims to convey that the imperial brand covers both new and old elements through the comparison between antiques and new products. The so-called Qianlong manufacturing marks his idea of taking the ancient as a model and intending to surpass it.

United States:

The face of the dynasty: the royal crown exhibition in western Cameroon, Africa

Exhibition period: December 4, 2017-September 3, 2018.

Venue: Metropolitan Museum of Art

This exhibition will display a newly acquired 18th-century Cameroonian crown mask (Tsesah) and three related exhibits. At present, there are only 15 such artworks in the world, which is the first time to be exhibited in the United States. Tsesah is 94cm high and 82.6cm wide, created by the artist Bamileke. Tsesah is the embodiment of the royal family and authority in western Cameroon. Chieftains and envoys in the family will wear this mask when attending the royal funeral, enthronement ceremony and other activities.

Days of our lives: Adolf de Meyer Photography Exhibition

Exhibition period: December 4, 2017-March 18, 2018

Venue: Metropolitan Museum of Art

Adolph de Meyer(1868-1946) was an American photographer who was active in the early 20th century. He was famous for taking portraits of famous people in Europe and America. He worked in vogue, Vanity Fair, Harper’s Bazaar and other magazines. However, most of his works were destroyed during World War II, and only a few of them have been preserved to this day. About 40 photographs of Meyer will be exhibited in this exhibition, presenting dazzling portraits of some famous people of his time. All the exhibits are collected by the Metropolitan Museum of Art, which is the first time that the museum has held his retrospective exhibition.

France:

Italian Moment-Masterpiece of Upper France Region

Exhibition period: October 18th, 2017-May 28th, 2018.

Venue: Lance Branch of Louvre

Through the unique arrangement of Italian works in nord-pas-de-calais and Piccadilly, this exhibition will focus on more than 20 masterpieces from the 16th, 17th and 18th centuries, and set four themes. The first theme will show the tragic color of landscape painting, the second theme will introduce the different changes of female images surrounded by children, the third theme will show the works of Caravaggio followers, and the last theme will show a series of historical paintings with mostly mythical works. This exhibition will also draw an ideal ending for the 2017 "Italian Moment" tour in North France.

Japan:

Kumatani Shouyi: The Joy of Life

Exhibition period: December 1, 2017-March 21, 2018.

Venue: Tokyo National Museum of Modern Art

This exhibition brings together about 200 works of Shouyi Kumatani collected in various parts of Japan, presenting his bright, simple, humorous and memorable artistic world. Kumagai Morikazu (1880-1977) is a modern Japanese painter. He is regarded as the iconic figure of "Les Fauves" in Japanese art history. He was born in a rich family but lived a poor life, and in his later years he was close to abstract painting. This exhibition is a special exhibition to commemorate the 40th anniversary of his death.

Japan Craft Exhibition-Cherish Nature

Exhibition period: December 1, 2017-February 18, 2018

Venue: Tokyo National Museum of Modern Art

Cherishing nature is a major theme of Japanese craft, which has developed into an inherent performance art according to the time. This exhibition will present about 120 collections of handicrafts, introducing the beautiful crafts bred by the heart of Japan, which cherishes nature. Exhibits include ice-painted porcelain Tang pattern vases, Youchan’s visit to the kimono "Guiyuan", "There is no calendar in the mountains", and Lao Song’s painting of dates.

Lecture information:

Shanghai:

Climate change and the rise and fall of Angkor civilization

Time: Thursday, December 7, 2017 at 19:00.

Venue: Academic Lecture Hall of Shanghai Museum

Speaker: Charles higham (Professor, Department of Anthropology and Archaeology, University of Otago, New Zealand)

In the late Iron Age, the decrease of monsoon and rainy season brought a relatively dry climate to Southeast Asia. Correspondingly, there is more evidence that the agricultural revolution is emerging in these areas, including reservoir construction, irrigation, and rice cultivation and cultivation in specific areas. In the 8th century, with the establishment of Angkor Kingdom, the management of water resources and irrigation system became very important, and became the key factor for the survival of the regime. The deified rulers have always been closely linked with the construction of reservoirs, the diversion of rivers and the construction of water conservancy networks in paddy fields. The ever-complex water conservancy management system became the key to the country’s well-being at that time. However, another climate change in the 15th century brought unpredictable climate fluctuation. Persistent drought and rapid precipitation led to land subsidence and the destruction of water conservancy facilities. Angkor, as the center of political power, soon died out.

Water, Ubiquitous Water Resources —— A Case Study of Petra Ancient City

Time: Friday, December 8, 2017 at 19:00.

Venue: Academic Lecture Hall of Shanghai Museum

Speaker: Susan E. Alcock (Professor, University of Michigan, USA)

The lecture will explore some understandings about Petra, an ancient city in the south of Jordan that was once the capital of Nabatai Kingdom at the turn of the AD, and some misunderstandings about this great city in the past. Although it is located in a semi-arid climate zone, Petra has been the core city in the long-distance trade chain in this region for a long time, and a large number of tombs, temples and palaces have been built here. In the Roman and Byzantine era, Petra also maintained prosperity. The speaker of this lecture participated in the investigation conducted by Brown University’s Petra Archaeological Research Project in the area north of the center of Petra, hoping to trace the historical changes of this inland city.

The Story of Two Icons —— Different Approaches to the Complexity of Prehistoric Society

Time: 19:00 on Saturday, December 9, 2017.

Venue: Academic Lecture Hall of Shanghai Museum

Speaker: Colin Renfrew (Professor of Archaeology, Cambridge University, UK)

The lecture will analyze and interpret the early sculptures of Clardy culture in the Mediterranean region and the jade cong of Liangzhu culture in China, and discuss the complicated process of prehistoric society in the world. Professor Lun Furu, the speaker of this lecture, presided over a large number of archaeological excavations in cyclades. He has made remarkable achievements in the research fields of prehistoric culture, linguistic diversity and the origin of human cognition, archaeological genetics and archaeological theory in the Aegean Sea.

Reading and the Art of Book Tickets

Time: 14:00 on December 2, 2017 (Saturday)

Venue: Art Salon, 0 m Floor, China Art Palace

Speaker: Jin Dapeng (Secretary General of Shanghai Alumni Association of China Academy of Fine Arts)

Book tickets originated in Europe in the 15th century. It is 300 years earlier than stamps. At that time, books were so expensive that the books in the library were even chained up. There is a book ticket on the title page of the book to show who the book belongs to. What exactly is a book ticket? How is the book ticket made? What kind of painting is "gem on paper"? What are the international regulations on book tickets? Is there a professional library ticket agency in the world? What is the artistic value of book tickets? Can we make a book ticket like celebrities? ….. This lecture will talk about and discuss the above questions.

Approaching the "doctor" of art

Time: 14:00 on December 2, 2017 (Saturday)

Venue: Multifunctional Hall, 0 m Floor, China Art Palace

Speaker: Situ Yong (Professor, Shanghai school of visual arts Institute of Cultural Relics Protection and Restoration) and Wang Chen (Deputy Director, painting conservation Center, Shanghai Academy of Fine Arts)

An oil painting will slowly decline and age with time. This is determined by the material and structure of oil painting itself and influenced by various environmental factors. Therefore, the protection and restoration of oil painting is particularly important. This lecture consists of two sessions, namely "Contemporary painting conservation and Practice" and "Protection and Maintenance of easel painting". In the first lecture, the speaker, Situ Yong, will talk about painting conservation and spiritual practice from the aspects of "oil painting and common damage in oil painting", "scientific principles and norms in restoration" and "general technical process and restoration cases". In the second lecture, Wang Chen, the speaker, will lead you to understand the possible problems in the maintenance of easel painting and the factors that lead to deterioration, and tell you how to carry out daily maintenance and avoid improper operation.

The structure of dialogue with architects

Time: December 5, 2017 (Tuesday) from 19: 00 to 21: 00.

Venue: Small Theater, 3rd Floor, Shanghai Museum of Contemporary Art

Speaker: Yastaka Konishi

This lecture will share with the audience the past structural design projects of the speaker Xiaoxi Taixiao. He is well known by the world for his desk as thin as a piece of paper and the workshop of KAIT (Kanagawa University of Technology) in cooperation with architect Junya Ishigaki. The incredible thinness and thinness of KAIT workshop can not be separated from his structural engineering. The residential work "porcelain doll Creative Workshop", which is co-operated by Koichi Taixiao and Maeda Keisuke, shows an amazing sense of suspension. The structural design projects introduced in this lecture include the Folk Art Museum of China Academy of Fine Arts in cooperation with Kengo Kuma, and the residential project "String and Arc" in cooperation with Zhongying Zhongshan. By explaining these cooperative processes, Xiaoxi Taixiao will convey his long-standing view, that is, "active communication and creative cooperation between architects and architects are important links in completing construction projects."

"Realism" and "Poetic" of China’s Landscape Paintings

Time: December 3, 2017 (Sunday) from 14: 00 to 16: 00.

Venue: Qianhe Art Space

Speaker: Zheng Wen (Vice President, Academy of Fine Arts, East China Normal University)

Is China’s landscape painting realistic? How do we understand the "drawing truth" put forward by Jing Hao in the Five Dynasties? What does it have to do with sketching in landscape painting? How is the poetic feature presented in landscape painting? This lecture will expound the core values of China’s landscape painting from two aspects: the "realistic" and the "poetic", so as to help people really understand China’s landscape painting.

Beijing:

Identity: Regional Practice of Introspection

Time: December 1, 2017 (Friday) from 18: 30 to 20: 30.

Venue: Lecture Hall, 4th floor, Tsinghua University Art Museum.

Speaker: Li Xiaodong (Professor, School of Architecture, Tsinghua University)

From the big cultural background, China has a very long and glorious history; From the perspective of space, the city of China now feels very modern. When you look closely at China, you will find that the urbanization of China is developing too fast, and many problems are too late to be considered, which has caused many very difficult things. This lecture will focus on the topic of "identity", starting with the problem of defining China, and combining with the reasons behind each small building made by the speaker himself and the methods adopted for in-depth discussion.

Brick writing in ancient China

Time: 9:30-11:30 on Sunday, December 3, 2017.

Venue: Floor 2, Linqiong Building, Ancient Books Museum, National Library

Speaker: Tianshu Zhu (distinguished professor, doctoral supervisor, Central Academy of Fine Arts)

The history of China’s calligraphy tells us that the evolution of calligraphy always stems from the people’s need for simplicity and the pursuit of beautification in the practice of using characters. Therefore, folk calligraphy can show us the various sections of this evolution process most directly. As an important part of folk calligraphy, brick writing has a position that other aspects can’t match, that is, the prosperous period of brick writing-from the Han Dynasty to the Six Dynasties, is precisely the most intense period of the evolution of calligraphy and brushwork. Moreover, the large number of brick texts is unmatched by other folk books. If the study of bamboo slips in the previous period has aroused a lot of enthusiasm, then today, the indifference to brick writing can not but cause us to think deeply.

Recently, the interior details of Avita’s third new product, Avita 07, were officially exposed, attracting widespread attention. This medium-sized SUV not only pursues simplicity and refinement in design, but also achieves new breakthroughs in technological configuration and comfort. It is expected to open up a new market in the field of medium-sized SUVs and create a new benchmark of technological light luxury.

As the latest masterpiece of the brand, Avita 07 not only inherits Avita’s consistent luxury positioning, but also opens up a new market in the field of medium-sized SUVs. From the exposed interior details, the interior design of Avita 07 is simple but exquisite, and the integrated remote screen design is unique, providing the driver with a more convenient operation experience. The gold and white double-spell design makes the entire cockpit space full of luxury, and the four-screen design brings the sense of technology to the extreme.

In terms of details, the golden decoration on the quadrilateral steering wheel of the Avita 07 not only enhances the overall texture, but also adds a touch of fashion. The design of the central control armrest area is simple and elegant, and the wireless charging area is cleverly integrated with wood grain decoration, which is both practical and beautiful. In addition, the "fuel tank" display element integrated into the dashboard area not only reflects the uniqueness of the extended-range power model, but also provides the driver with a more intuitive and convenient information display.

In terms of seats, Avita 07 adopts two-color punched leather seats and is equipped with headrest audio. The integrated design and elegant color scheme further enhance the riding atmosphere. A large area of PU material soft bags are used on the door panel, instrument panel, central control and B pillar of the whole car, providing passengers with a more comfortable riding experience. The rear seats have larger central armrests, and the seat back angle can be adjusted through the control screen. Boss keys, sunshades, seat heating/ventilation/massage and other functions are readily available to meet the individual needs of different passengers.

In addition to the luxury and technology of the interior, the Avita 07 is also excellent in appearance design. It adopts 100% original design, inherits the family design DNA, and applies the AVATR design concept 2.0. The overall body posture presents a high-end sense, the body lines are elegant and smooth, and the front face design is full of futurism. In terms of body size, the Avita 07 body length reaches 4825mm and the wheelbase is up to 2940mm, redefining the new standard of space for medium-sized SUVs. At the same time, the body width and height also reach 1980mm and 1620mm respectively, providing passengers with more spacious riding space.

In addition, in the power system, Avita 07 provides users with more power options. Whether it is a plug-in range extension hybrid or a pure electric power mode, it can meet the different needs of users. At the same time, both power versions will have two drive modes: rear drive and four drive, providing users with a wider range of driving options.

Overall, Avita 07 not only sets a new benchmark in the mid-size SUV market with its excellent interior design, rich technology configuration and extreme comfort, but also meets consumers’ diverse and personalized travel needs with its unique design, excellent power system and flexible driving modes.

When discussing which one is most worth buying, we have to comprehensively consider its appearance, interior, spatial layout and fuel consumption performance. As a popular compact SUV, it has been widely recognized by the market for its balanced performance and excellent quality. This paper will compare several main models of Willanda in detail, in order to provide a strong reference for your car purchase decision.

Appearance contrast

First of all, from the design point of view, the overall style of 2024 Toyota Willanda is atmospheric and dynamic, the front part has a strong three-dimensional sense, and the headlight group is full in shape, which supports LED far and near light switching, which not only improves the safety of driving at night, but also enhances the recognition of the front face. The air intake grille is blackened, which complements the cutting lines on both sides, further highlighting the fashion sense of the vehicle. The body lines are smooth and solid, and the suspended roof design is not only beautiful, but also ensures the spacious interior space. The rear part, duckling tail, spoiler and new design make the whole car more dynamic when driving.

Specific to the model, whether it is the entry-level 2.0L CVT two-wheel drive leading version or the top-mounted 2.5L intelligent electric hybrid dual-engine four-wheel drive luxury Plus version, the design has maintained a high degree of consistency, and the differences are mainly reflected in the details, such as wheel hub style, front and rear surrounding decoration, etc. For consumers who pursue individuality, the details of high-profile models are undoubtedly more attractive.

Interior and space

Entering the car, Willanda’s interior design is equally impressive. The center console has distinct layers, and the details are supplemented with chrome trim to enhance the texture. The data display of the ring instrument panel is clear, the multi-function steering wheel is round in shape, equipped with neat physical buttons, and easy to operate. The suspended central control panel not only enhances the sense of technology, but also makes the interior of the vehicle more fashionable. The seat is wrapped in a large area of soft material, which ensures the comfort of riding and can effectively relieve fatigue even after long-distance driving.

In terms of spatial layout, the length, width and height of Willanda are 4665mm, 1855mm and 1680mm respectively, and the wheelbase reaches 2690 mm. This size is excellent in compact SUV, providing passengers with spacious seating space. Both front and rear passengers can enjoy sufficient leg and head space. In addition, the car is also equipped with rich storage space and multifunctional armrest boxes to meet the various needs of daily travel.

Fuel consumption comparison

In terms of fuel consumption, Toyota Willanda also performed well. The entry-level 2.0L CVT two-wheel drive model, the official fuel consumption per 100 kilometers is about 5.65 liters, which is in a leading position in the same class. The car equipped with 2.5L intelligent electric hybrid twin-engine system has reduced fuel consumption to the extreme, such as the comprehensive low of 2.5L intelligent electric hybrid twin-engine two-drive premium version as low as 5.1L/100km, and even as low as 4.8L/100km under urban working conditions. This is due to Toyota’s mature hybrid technology and the perfect cooperation between motor and motor, which makes the vehicle mainly rely on electric drive when starting and driving at low speed, greatly reducing fuel consumption.

Comprehensive evaluation

Based on the above analysis, we can see that every model of Toyota Willanda has its unique charm and advantages. However, if you want to choose the best comprehensive one among many models, personally, I think the luxury four-wheel drive version is undoubtedly a recommended choice.

The luxury four-wheel drive version is not only equipped with Toyota’s mature power system, but also ensures the stability and passability of the vehicle in various road conditions, taking into account luxury and comfort. The interior space is spacious and bright, and the seats are wrapped in advanced materials, which makes the ride experience excellent. In addition, this model is also equipped with rich scientific and technological configurations, such as intelligent interconnection system, pre-collision system, lane departure warning, etc., which makes driving life more convenient and safe.

More importantly, the luxury four-wheel drive version also performed well in terms of cost performance. It combines the practicality with the comfort of luxury configuration, making it an ideal car for urban explorers. Whether it is commuting in the city or outdoor cross-country, it can be easily handled, bringing endless fun and confidence to drivers.

To sum up, Toyota Willanda’s luxury four-wheel drive version is undoubtedly the best comprehensive performance among many models. It not only meets consumers’ demand for power, space, comfort and technology configuration, but also conveys a spirit of being brave in exploration and positive. For consumers who are looking for an ideal car, Toyota Velanda luxury four-wheel drive version is undoubtedly a rare choice.